How can you not have multichannel system


I just finished listening to Allman Bros 'Live at the Fillmore East" on SACD, and cannot believe the 2-channel 'Luddites' who have shunned multichannel sound. They probably shun fuel injected engines as well. Oh well, their loss, but Kal has it right.
mig007
How much music is recorded in multi-channel format? I presume the original "Live At The Fillmore East" recording was not multi-channel. Was it reprocessed? Digitally enhanced? Or were the multi-channel tracks just rearranged to fit the SACD format?
Also, how many recordings are available in multi-channel formats, either remastered to fit or originally recorded multi-channel? Do I need to rebuy all my music?
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I believe all music issued as stereo can be reissued as multichannel because of the original process of recording multitracks and then down mixing them into two tracks. For example, the Live at Filmore East was originally released in stereo, and with the advent of sacd and higher resolutions, the original multitrack tapes were, so to speak, taken out of the vault and re-engineered using the new formats. I believe any recordings that originated from multi tracks can be transformed as well, although, some recordings lend themselves more to the surround effect like live concerts. As to those recordings not revisited one has to use the different processes that have been included in surround sound processors such as Trifield, Dolby Prologic IIx, and Lexicon's. Although, not discrete, those processes extract enough surround sound to expand or fill in without destroying the soundstage. It's more subtle, but its analogous to listening to 256kb mp3 sound vs 364(?) mp3. A well setup multichannel system (meaning quality of the processing and matching of rear and front speakers, but not necessarily cost) is extremely important to realize the sound effect. Those who prefer 2 channel may do so because the quality of their front speakers maybe is so great as to render any rear speaker other than those of similar make unable to seemlessly integrate. For example, although price is not a primary concern, Wilson speakers or those of similar cost and unique design could be hard to match. Take a Vandersteen or Audio Physics, although well designed, is easier to integrate if not with the same make but with similar design.
If i may add to the above, the emphasis is to integrate the surrounds with the fronts, and that is mostly in the hands of the sound engineers. The dts version of Allman Bros Live at the Fillmore East is virtually unlistenable either because of the dts process or mediocre sound egineering, or both. Take the sacd version, using the same tapes, and its sound quality is universally acclaimed. Take the deluxe version in stereo form, but remastered, and quality processes such as Trifield can extract those ambient sounds and render a superb surround experience. I believe different personnel were used in making those three versions.
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