Your comment is incorrect and suggests you have not heard certain multichannel sacd recordings. Blood on the Tracks was released in the mid 70's; Live at the Fillmore East released in the early 70's. Both released in stereo format only. Yet, both were re-released this decade as multi-channel sacd discs. Listening to the front and surround channels one hears 4 discrete channels. Obviously, the original sound engineers could not foresee the successful creation of multi-channel recordings as represented by sacd and dvd-audio. The latter were not processed from the stereo releases. To achieve those 4 or 5 discrete channels sound engineers had to gather all the tracks originally put down by the musicians and then re-mixed to create those extra multichannels (meaning more than the then stereo final mix). How can you say that is an illusion when the engineers recombined the original 4 or more tracks to create 4 or 5 discrete channels instead of two. Are you saying the surround channels contain music not originally recorded and somehow are mutations of the stereo release. If so, your comprehension of how multichannel discs of older music are made is sorely lacking. That multichannel sacd disc of Blood on the Tracks is more of a faithful reproduction of the music than anything else you can hear on any other recorded medium of the same. It is no different than using a video card with 128kbs and comparing it to a video card employing 512kbs. Obviously, you are going to see many more colors, and shadings of those colors on the monitor using the latter video card. Based on your analysis, the colors on the 512kb card are illusionary.
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- 204 posts total
- 204 posts total