Which turntable? Pro-Ject or VPI?

Well if you really want quality, buy a Kuzma.

Between the two choices, VPI all day every day.

The ad listed is a great deal. I’d jump on it myself but am happy with my current turntable. 

I own an HW-19 Jr and an HW19 Mk-1. The former was purchased new and the latter used from a fellow denizen of this forum.So, here are my thoughts;

I have a Möerch UW-4 tone arm on the Mk-1. I've retired but kept the Jr in the event I need a new motor (the Jr has very, very few hours). As far as I can tell, these sound essentially identical and they are very robust.

In other words and with the caveat of not being familiar with the Project, I have no hesitation about recommending the VPI in terms of durability and sound quality.  

I suspect you can't go seriously wrong with either of them but VPI seems to hold its value and, as someone has already noted, they're built to "mil-spec" standards. Plus, parts are readily available and there are upgrades galore!

Having stupidly owned a Project RPM 10 Carbon, I can vouch for the shoddy build quality. The tone arm wasn’t much better than the $400 Project Debut TT that proceeded it, including the same anti skating weight dangling from a bit of fishing line. 

You won’t go wrong with the VPI 19 Jr! Any part is still replaceable including belt, motor etc, etc.

VPI HW-19 JR (1993)

The beginning of the journey into High-End analog music reproduction starts with the HW-19 Jr. The Jr. is VPI’s most cost effective turntable. It combines the drive system of the MK. III & MK. IV, with a cost effective platter and subchassis, to give real value for the dollar.

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The HW-19 Jr. features a six pound, one inch thick clear acrylic platter with a reflex record clamping system so effective that when the clamp is released, the record stays locked to the platter.

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One of the hallmarks of the VPI playback system is proper mating of the record and the platter. Terminating the resonances excited by the stylus/vinyl interface is critical for lifelike reproduction of the low level nuances normally found in live music. In the HW-19 series of turntables, the resonances are terminated without vacuum, pumps, peripheral clamps, etc. Simple yet precise solutions are always the best.

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All turntables must be isolated from the outside world. The Jr. uses sorbothane as the isolation material. The sub-chassis is set upon four sorbothane pucks that keep a large percentage of motor noise and acoustic feedback from reaching the platter and cartridge.

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All the wood-finished bases are made from solid hardwoods. Veneer over particle board is never used. We use real oak naturally finished, real oak lacquered in semi-gloss black with the grain showing, and real walnut in a natural finish. As a premium option, a piano black high gloss finish is offered.

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The Jr. uses the same drive motor as the MK. III, and MK. IV, a low noise precision AC Synchronous type with quiet bearings, and high torque. The drive belt is a unique pyrothane material that lasts many years with excellent serviceability. It has a round cross section for excellent speed stability and low noise. The motor pulley is machined from black delrin with a concentricity of +/- .0002".

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The Jr. is fully set up at the factory and can be up and running in less than 10 minutes. If your Jr. is ordered with a factory mounted tonearm, all you need to do is install the cartridge.

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• 1” thick clear or black acrylic platter

• Sorbothane suspension

• 600 RPM AC synchronous motor

• 1 piece 1” thick MDF plinth

• Precision “O” ring drive

• Hinged-acrylic dust cover