I am very happy that I purchased the Viv Float, but it is not cheap at US prices, or at least it depends upon how you define "cheap". I did get a better deal by purchasing it in Japan, in part because of a very favorable exchange rate, and thanks to the help of my son who speaks Japanese fluently. There were no Viv Float tonearms for sale in the various emporia I visited; they were all sold out and no one expected any inventory until about a month after we were to return home. (I am guessing they make them in batches.) So we contacted the company itself by phone. Dan talked to the owner, who speaks zero English but seemed like a cool guy, and we made a deal.
I really don’t like to mention it on this forum, because that only elicits dogmatic negative responses (or agreement from the few who have heard the tonearm). Anyway, so far I have auditioned 3 different cartridges on it. In each case, I believe the Viv brings out favorable qualities that I did not hear when those same cartridges were mounted on other "good" tonearms. Those qualities are a very relaxed, fluid sound (which feels like lower distortion, compared to conventional pivoted overhung tonearms) and a notable capacity to separate instruments in complex musical passages. Or at times the Viv can just sound good. Most importantly, it never sounds excessively distorted, as orthodoxy would predict it should. But I realize this is all controversial.