Bryston 7B3 vs 4B3: Extra Cost Worthwhile?


Now that my dealer said he can deliver and unbox my amp the weight issue has been resolved. I don’t expect to be moving them as this is my end game system. At my age end game has real meaning. So I decided on Bryston and the 4B3. But then I got to thinking maybe I should go all out and get the 7B3 mono blocks.  They are twice the price of the 4B3. For that additional expense I would hope and expect that once I heard them I would not be able to go back to the 4B3. However if the difference in perceived SQ is better but marginal the extra cost would not be worthwhile. I’m not looking for the ability to play loud but am looking for speaker control, dynamics, soundstage, etc., improvements that are clearly and unequivocally heard. So has anyone been done this road with these amps? If so please share your experiences 

jfrmusic

Recent info from Benchmark Support   

No worries with the AHB2. In mono, it will drive down to 1Ohm. Into 6Ohms, the bridged AHB2 will output 480 watts.The input impedance whether stereo or mono is 50kOhms The amp will draw up to 8 amps. 
Also the specs state that distortion at all levels will be identical to Stereo mode and SNR will be 3db better in mono mode and that it will sound the same in either mode with the difference being available power in mono.   

I would be interested to know Benchmarks thoughts on damping factor. Assuming the same 10’ cables are used, I believe the damping factor is halved, down to 85 bridged in to an 8 ohm speaker.

From Benchmark web site:

Nevertheless, it is possible that this 0.2 dB variation could be detected in a A/B or A/B/X test between two amplifiers having different damping factors (one with a damping factor of 100 and one with a much higher damping factor). If we match the amplitudes at 3 kHz, one amplifier could be almost 0.2 dB louder at 119 Hz using our example speakers.

The general rule of thumb for A/B and A/B/X tests is that levels should be matched to better than 0.1 dB. If this is not done, the level changes can be detected by many listeners.

This seems to conflict with their statements to you and does not address any issues with less bass driver control. The solution is to use a much shorter speaker cable to increase the damping factor, however, that involves additional cable cost albeit nominal if you use the BM cables.

My current speaker cables are 6’. 
 

I haven’t decided what I’m going to do. Benchmark insists that unless I’m clipping the amp there is no reason to get a second and that I will not hear any difference other than the ability to play louder. 
 

Still considering 

Bryston, CODA, Pass, Ayre, and Accuphase. 
I find amplifiers the most difficult component to select.