Nothing sterile, tonally lean, mechanical or bright sounding about the Brit, I can tell you that, or whatever you’re implying about high power amps sonics.
@phusis The issue is that most amps made using feedback, which includes high power solid state amps, is that the output transistors usually limit the design's Gain Bandwidth Product, resulting in a loss of feedback at high frequencies (depending on how much loop gain is asked of the design). The result is distortion rising with frequency, which seems to be more audible than the actual distortion spectra created by the amp. Class D offers a way around this problem.
Another generality, indeed this one is a myth that has gone on forever.
The issue here is that a lot of higher efficiency speakers are designed for amps with a higher output impedance. Such amps try to make constant power rather than constant voltage; this is not a myth. The Power Paradigm is what was around before MacIntosh and EV started promoting higher feedback in the mid 1950s so as to cause their amps to behave as a Voltage source, allowing plug and play. You might want to read this article for more information.
Flea watt SET tubes produce a lousy loose wet noodle bass, sounds like a sloppy fart. It's not a myth.
@deep_333 You might want to read the article at the link above as well. This is not a myth; its a matter of whether the speaker designer meant for the speaker to be driven by an amp of high output impedance. If so, the bass will not be as described (although SETs in general do tend to have less impact on account of phase shift above their cutoff frequency, which tends to be quite high due to their output transformers).