Well, D.Wilson ( paw, unfortunatelly. ) was not so stupid and " deaf " as his national manager and he used only Krell/Spectral amplifiers with the Watt/WAMM speakers to monitoring all his great Wilson Audio recordings.
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The manual suggests that direct-coupled Futterman and similar tubed amplifiers are inappropriate, but gives the OK for other tube models when used on their 4 ohm tap. I have to disagree. A 1 ohm load severely limits the output power from a tube amplifier. For example, a 100W output (17dBW, 8 ohm) into a 4 ohm load will typically fall to 7dBW, or 10W in level terms, when faced with 1 ohm. Simply, this means that the amplifier will clip 10dB earlier if a strong musical signal appears at 2kHz, which is not unlikely, since this frequency is well in the main music power band.
Let us also assume a typical case where the tube output impedance and cable loop are limited to 0.4 ohms. Overall there is a loss of 0.8dB over the whole range, but at the 2kHz minimum impedance the loss increases to nearly 3dB, this inducing a dip in acoustic frequency response of 2.2dB which may well alter the sound of the speaker.........................................................Last and by no means least, there is the matter of that awkward load impedance, and the corresponding, almost unforgivable dip to 0.33 ohms noted on the review pair.......................................................Depending on the amplifier used, there was also a touch of hardness on, or edge in, the upper midrange which was ameliorated by using the Goldmund Mimesis 3 power amplifier and one or two of the other high-current amplifier types such as the Krell. This mid-treble problem was rather amplifier-dependent (due to the impedance characteristic...."
Btw, we have to remember that that 1 0hm and 0.32 ohm at those frequencies is not a discrete impedance value but part of the speaker impedance curve and the adjacent frequencies and developed harmonics are " touched " too.
Stupid people are all over the world and just fine with me.
R.