Most collectors playing 78s are not going to hear the full potential of the records because their equipment is the equivalent of playing an LP on a Crosley. Bad stylus fit, bad EQ, suboptimal processing capabilities, or simply not playing an archival-quality copy. 78s will never sound like an LP-era recording, but you can make them sound like the best reissue CDs out there or better with the right equpment.
My 8351Bs are on stands on my large standing desk--sort of by necessity. They measure well in GLM software, and my room is treated with GIK panels. I mostly remaster on Sennheiser 800S headphones because I have a young child who’s usually sleeping when I have my ’free time’. I admit I haven’t put much thought into the concept of crossover frequency. The tuba and string bass on old jazz records sounds nice and tight, but I listen mostly to 78s probably limits my scope of reference when I listen to anything more modern. I’ll be researching subs and will probably pick up a pair when the time is right.