+1 @jerrybj
I happen to be fortunate to be able to have the SRX in possession. If my post was “pushing” this cable, I don’t think it’d be too effective. I don’t know of many people who would swing the cost on the cable just because I say it’s one of two cables I could live with. Even as a dealer for the cable, I still had to shell out more than most people would ever pay for a USB cable in order to have it on demo. I do this because I’m invested in the hobby, not because I’m trying to sell the SRX cable through a single post on this thread.
Those that know me know the value I provide. There are even threads on this forum from established members that advocate for my services and knowledge. The fact that you come off insulting everything and everyone is a waste of others’ time and energy and generally ruin an otherwise positive morale on this thread.
Perhaps it would be helpful for @lads to confirm whether he/she has an affiliation with Wywires, but judging from the OP’s posts on other threads, I see him/her as a loyal customer who is trying to up their game, and not just around WyWires cables. The fact that you are accusing someone of this affiliation is offensive, in my opinion. But hey, I could be wrong and he/she may have some sort of affiliation. I just tend to give others the benefit of the doubt and try to help where I can.
For everyone else, despite my experiences with many USB cables, the reason I have such a high standard for them is because I have been a long-time advocate of using AES cables as I am a strong advocate of having high-performing digital sources with quality clocks. AES takes advantage of these features, where USB is an asynchronous interface and only relies on the DAC’s clock. In my experience, USB and AES (and SPDIF as a whole) present very differently, and it’s been very hard for me to find USB cables that perform as well as the SPDIF interface does. But YMMV and depends on the components in your system and your own personal sonic preferences.