First i dont like albums too much mixed in studio...😊 I listen classical and jazz...
Second you got it wrong right here : the room acoustics and your acoustic room/ears parameters will translate the sound imaging and soundstage recorded by the recording engineer set of trade-off choices for you in a wrong or in a good way... The recording so good it is will be acoustically deformed or well rendered, but it is all related to your speakers/room content /listener position and the right balance between absorption/reflection/diffusion...( the bass problem must also be solved ) ...
Most people dont even know that because their system/room is so mediocre that the soundfield is almost captive of the speakers plane ...😊
But the acoustic information must be in the recording to begin with , here you are right. But you lost it when you forgot that the acoustic coupling parameters of the speaker /room must be tuned to gave to us ALL acoustic information in the recording to begin with...
A good dac cannot replace speakers"room acoustics. Even the powerful Choueiri dac will not do it but will help you to do the speakers/room right ...
@mahgister Please answer this simple question. A recording of a trio. Guitar, Bass and Sax. The recording engineer has mixed the final tape to have all three mics/instruments playing an equal signal from left and right channel. This puts the sound of the recording with all three instruments in the center of the stage. Are you claiming there is any stereo equipment or room treatment, or combination of each that will produce a playback in my listening room where the three instruments are spread out across the room, and for good measure, the sax is in the center and five feet in front of the guitar and bass? That is what I called into question with the statement, if it’s not on the recording, it’s not in your listening room. Cheers.