Does Every Track Sound Great on Your System?

Does every Track sound great on my system? The answer to that is no. Some recordings benefit from high-quality production and engineering while others suffer from a lack thereof. That’s a variable that is inherent  and my system won’t make a poorly engineered recording sound “great“ and I don’t think any system could possibly be different. It doesn’t mean that I can’t enjoy the music if the engineering is not masterful, but it won’t sound truly great at least to my ears. for example, I enjoy pretty much all of the music from Al Stewart. His music that was produced by Alan Parsons is, however, qualitatively different because Alan Parsons had a genius for production and engineering.
If that genius is not present, there’s not going to be any high end equipment, room, treatments, acoustics, or whatever that will cover for its absence. That doesn’t mean I can’t enjoy the music but great is a relative term and it won’t be great Compared to music that has been masterfully produced and engineered

Recording quality is a huge variable that probably isn’t discussed enough and that’s probably because there’s not much we can do about it

My system with 2 REL subs rarely need adjustment, but I can easily turn the bass level up or down on the RELs (easily accessible using the infamous "chicken head" knobs) or use my Schiit Loki Max to EQ an out of balance recording (seriously, everybody should have one if these). Another option is to shut it all down, put my face in my hands, and start sobbing.

IF one listens to a variety of music, from different types of producers and companies:

Recording quality varies.

Mastering quality varies.

There are different purposes for different mixes.

There are so many variables.

How *could* they all sound good on one's system?

Great question! The more you go up in electronics, the more revealing your system becomes. Sometimes there are differences in SQ within songs on a side of a vinyl record but more frequently the differences in SQ occur on different sides of an album. 

Less expensive gear doesn't pick up these SQ differences. That's why rock, for example, is very hard to get right with vinyl on high end systems but generally sounds good on less expensive systems.

It takes a lot of work to get a high end rig to sound amazing both in gear symmetry and software. Just throwing expensive gear together and expecting great results is a recipe for SQ frustration and disaster. "Ignorance is bliss" applies to rigs that don't detect subtle differences of SQ information in the grooves and there's nothing wrong with that because it's all about enjoying the music...

It's ALL in the recording.