The overall tone of this thread reads like a warning to me. The OP is trying out a second unit because the first sounded dark and broken. Now the second unit the imaging collapses and the highest octave is soft. I also read several other posters have added modifications to their R26s from clocks to cables in order to achieve the desired performance level. Clocks can add $750 up to $5500 to a $1700 component. I wish you luck in this pursuit. I also believe you and others will be successful due to your knowledge and dedication and obvious discerning audio talent. This one is not for me, my budget is more like spend $1700 but don't take chances @jolywins
What did a good 10 MHz clock do for your Gustard R26?
I'm auditioning an R26 and it's lovely (musical, high resolution in the microdynamics for example) but a little soft on the highest octave. The imaging is not great. On my speaker system (B&K ST120, Spendor S3/5) the images tend to collapse into left, right, center. I have a guy who does really impressive mods ... beefs up the power supply, adds ERS paper for shielding, bypass caps, etc.... but that's irreversible in case I don't like the result... I'm worried about it getting too bright after the mod. So I thought, why not try a good 10 MHz clock? I don't have the budget for a Mutec, but I could try a less expensive one and have my guy mod it and also create a good BNC cable for it. So I'm wondering what has a good 10 MHz clock done for your R26? Improve the extension on top? Improve the imaging? Has it changed the tonal balance in any way? I'd like more extended but not brighter.
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- 40 posts total
- 40 posts total