SUT help

Okay so maybe time to get back on the rails here...

What exactly is the point here?

None of this is doing any service to my original question, and seems more to be a debate about who is 'right.' The theoretical gear needed (or not needed) to 'prove' or 'disprove' anything is a pointless discussion. Everyone has different gear, rooms, ears, preferences, and opinions. It's also completely irrelevant to my question.

I fully appreciate that there are varying experiences here with SUTs, with some finding some pleasing improvement to their experience, and others not. All are valid experiences.

From answers to my original questions, it seems like finding a SUT with 1:10 and 1:20 options might be best since it sounds like there's been success with both and either should work with various configurations on my phono pre-amp. Some good suggestions on specific models to consider so far, but if anyone else has any other suggestions that might fit the bill, happy to check them out as well. Thank you to all who have provided some guidance on proper matching.

@mmcgill829 The very best method to make a discovery about a impact a device can have is to experience it with an open mind.

You are on the right track with Winding Ratio's selected.

The want to experience will be furthered as an educational encounter when a SUT is used in your system.

Your assessment of your experience, as well as the impression that is made on you, is awaited by myself.

There is plenty of info in this thread and linked threads to help you get a bearing on what has been experienced. 

I am happy to have supplied a description that will be a aid to this. 

Pindac,  I know nothing about your phono stage and certainly never said or even implied that it was inferior. Originally, I was merely asking about how the term "Transconduction" might apply to the mystery phono stage that you like. The way you used the term, it seemed you were suggesting it is a category of phono stage opposite to a "Transimpedance" or current driven phono stage. To me, the alternative to current drive is voltage drive, and there is no need to adopt the term transconductance because in fact all audio gain devices act through transconduction.  Then you revealed finally that your phono stage at least starts life as a Paradise phono, made on a custom basis in the UK, so far as I can tell.  I read something about it and commented that it received a lot of favorable mention on the internet, and that it appears to use an FET and a tube complement that are both reminiscent of the Herron phono stage that is much liked on this side of the pond. Please show me where I criticized the Paradise phono, on any basis at all, let alone its relatively low cost. I also never in any way said that cost is directly proportional to results in audio.  It most certainly is not.

@bobsdevices , I have an Hana ML. which one of your products do you recommend? Even older models would be fine.

I also have the Mod Wright 9.0.

@lewm I do not own a Paradise at the present or any other time.

I have described how I have experienced the Paradise as a SS Circuit as a few build guises. 

I also made it known that an alternative SS Phon' is also known to me that is one I am very impressed by.

I am without a Vinyl Source, it is packed away ready for storage. 

I have a few intersting experiences to be had around Vinyl Replays in the future.

I am having most of the Musical experiences in the homes of others. 

For myself, being social around my hobby  is more important than the  music replays and much much more important than equipment.