I won’t go into how much better (again) studio mastering analog ideally with a hardwire bypass sounds compared to DSP. Read the whole thread. This war was fought already. It’s actually a great thread. Go back and read if if you’re so inclined.
Equalizer in a Hi Fi system
Just curious to hear everyone’s opinions on using an equalizer in a high end hi fi system. Was at work tonight and killing time and came across a Schitt Loki max $1500 Equalizer with some very good reviews. What are some of the pros / Benefits and cons in using one. Just curious. BTW. I’m talking about a top of the line. Hi end equalizer. Mostly to calm some high frequencies and some bad recordings.
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@tlcocks wrote:
I wasn’t aware there was a war to be fought here. So what are you, a guardian of this thread who wants to be right about "studio mastering analog" being the best approach in equalizing, telling everyone who deviates from this line of thinking to put a sock into it? Maybe you should reread what I just wrote above and think it through in terms of a suggested, different way to approach equalization, i.e.: one that involves a quality DSP - and it needn’t be a DEQX device for that to be the case, even with all the trimmings settings and parameter-wise - as a digital crossover only (with room correction being optional) for fully active configuration with several PEQ’s for each driver section with gain setting in 0.25dB increments, Q, delay, filter types and slopes, presets, etc. A digital platform gives you far more options here, and as an active approach it’s important to note that one avoids an analog layer - between the amp and drivers not least - in the form of the passive crossover. I skimmed through most of the thread btw., and seeing how a number of people get caught up on analog devices (like the McIntosh one), where looks are apparently also important, it’s quite obvious there’s an understanding of equalization that permeates the way of thinking about it, which - apart from a conservative mindset - appears to be founded in a general disdain towards digital (and thereby DSP) and the fact that most use passively configured speakers. If that was my outset I’d get the speaker/acoustics/placement part right to begin with, and likely avoid any kind of additional, electronic equalization - be it analog or digitally based. Being however my setup context is fully (outboard) active with a digital crossover, I have a very elaborate "equalization" device at hand as an integral part of the speaker system already, and as such am afforded the opportunity to make corrections - if I so choose - on the fly and from the listening position via my laptop. |
There is indeed many views about equalisation...😊 I prefer myself my own system/room/ears mechanical equalization with a grid of tuned resonators. I dont spit on electronical equalisation i used it anyway... But most people have no idea how powerfully transformative large band mechanical equalization with a grid of resonators could be . «There is also an adjustable type, called a universal resonator, which consists of two cylinders, one inside the other, which can slide in or out to change the volume of the cavity over a continuous range. An array of 14 of this type of resonator has been employed in a mechanical Fourier sound analyzer. »
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Oh I’m not closed minded to hearing it all. I’ve said that many times I want @mijostyn or you or someone to put me in touch with a good demo. Always exploring. The journey never ends. I was impressed by BACCH preamp. I’d love to be impressed by DSP to. Happy to hear and compare! |
And no, I’m not guardian of the thread. Just very passionate about what I am hearing with the gear I’ve acquired. A great studio analog EQ in a hifi rig is a sound to behold. And no, they’re not all great. Like anything else to achieve greatness takes time and patience. When you get to the point that you are not only adding tone but also stage size and resolution as opposed to LOSING those things with cheaper or inferior implementations then it becomes really exciting to listen. Every single time. I WANT to get that jacked over someone demoing a properly implemented DSP and crossover. Still waiting to find that demo. But right now I LOVE what I’m hearing and have for 10 years now. Have other friends here doing it this way and they’ll tell you the same thing. |
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