I want to revisit what Lynn said about subtle content that is present in two channel recordings. The content that gives the ethereal sense of space, and the very subtle reverb that is present from recording techniques or actually added by the producer. I have owned really good stereos for years, both rebuilt vintage-based, and my own creations. What the Raven (Revelation) preamp and the matching Blackbird amps do is to present this information. It is not masked as in most systems, including some very good ones I have owned, and some very expensive ones I have heard at audio shows. I am listening to the final versions of the Raven and Blackbird amps, and I hear these things that I have never heard before in recordings I am very familiar with. It adds a whole new level of enjoyment and has been discussed, you can hear the intent of the musicians and the producer or recording engineer, and the room if the recording is from a live performance.
The shoebox mono prototype amps mentioned by @sjsfiveo and @whitestix will give a portion of this effect and are very good. The final version of the amps have it in spades. We have improved both the preamp and amps just a wee bit since the Dallas show and I am looking forward to the next demo of the Revelation series so that others can hear what I get to enjoy in my living room daily. I completely understand that a $19,995 pair of amps is outside the budget of many folks, but I do thoroughly enjoy playing them for people so that they can hear what is possible and what we have been up to. Most people (myself included up to two years ago) have never heard this sort of presentation. From a design standpoint, I understand exactly why all of our choices work well with this circuit idea, and why the system sounds as it does. But hearing it is quite astounding to me. It just vanishes and leaves the music hanging space for you to enjoy.