2. amps-preamps
  3. 190562-2906

Preamp suggestions for Atma-Sphere Class D Monoblocks

As I impatiently await the arrival of my Atma-Sphere class-d monos, I am writing to solicit opinions from experienced members on this site. Balanced inputs and outputs as well as the ability to connect a subwoofer are important. Headphone amp would be nice but not critical. Ditto for built-in phono. These are some of the tube and solid state units I am considering (not necessarily exhaustive):

  1. Atma-Sphere MP-3 mk3.3
  2. Cary SLP-05 (ultimate edition, if I can find a pristine used pair at a good price)
  3. Modwright LS-100
  4. PrimaLuna EVO 400
  5. Supratek - Champagne or 6SN7 Cabernet - I have no idea what the difference between these two are and the website is not helpful at all
  6. Anthem STR
  7. Benchmark LA-4/HPA-4
  8. Bryston BR-20 (or one of their purely analog variants - BP-19?) - I am hesitant to bundle streaming and dac into a preamp
  9. NAD M66
  10. ?

I will initially use the Bel Canto DAC2.8 as a dac and preamp with an Auralic Aries G1.1 as the streamer. My speakers are Totem Acoustic Forest Signatures, sub is a REL s/510 that I seldom use. I am unsure whether I can use the speaker level connections with the A-S monos (my current Bel Canto Ref510S class d amp has a chassis grounding screw to which I connect the REL’s ground wire).

Philosophically speaking, I have owned a wide range of equipment over the years - everything from "measurements above all" type gear (a full Benchmark stack), a few tube pieces (PrimaLuna, Tavish Design, Rogue), Class A amplification (Pass Labs XA-30.8) and a completely active Genelec 8351b based system. I seem to be slowly but surely gravitating towards subjectively great sounding gear, regardless of how they measure - the Totems are a case in point. However, I don’t want to find that I have moved too far in any one direction. At the end of the day, I value realism and emotional connection more than the ability to deconstruct the music but I don’t want to listen to a sloppy system that homogenizes everything. I’m sure this is all clear as mud! It is however, a reflection of where I am at the end of 28 years of being on this hamster wheel. All thoughts and suggestions welcome. Thanks in advance.

srama
srama OP
65 posts
 

In practice the 6SN7s of the line stage hold up quite well- we rarely replace them in warranty (which is a year on tubes).

@atmasphere, Thank you, that is good to know.

To reference @avanti1960’s post above, I assume there will be sufficient gain between the MP-3 and the Class D to power my speakers (Totem Acoustic Forest Signatures)? I certainly don't want to end up with restrained dynamics or the sense that the music is somehow being strangled.

 

 

atmasphere's avatar
atmasphere
12,168 posts
 

@srama The MP-3 has no problem driving the class D to clipping, if that's what you mean. It supports +4dBm which is far more Voltage than most power amps need.

srama OP
65 posts
 

The MP-3 has no problem driving the class D to clipping, if that's what you mean. It supports +4dBm which is far more Voltage than most power amps need.

Thank you, that's all I needed to know!

mbmi's avatar
mbmi
618 posts
 

I second the Audio GD HE-1 XLR....10 tubes...it’s own regenerative power supply to optimize the current from the wall plug...nothing under 10K can touch it for soundstage....musicality...life like imaging and just plain sweet with my Class D Amps. Aavik and Peachtree. Call wally @ underwood hi-fi. $4500...a steal in Hi End!

srama OP
65 posts
 

@atmasphere, I just realized that the MP-3 comes with ONLY balanced inputs. My external phono stage only has single ended outputs - can I use a simple rca to xlr cable or do I have to select the version with optional single ended inputs?

Also, does the preamp support connection of a subwoofer through one of its outputs?

 

 

 

 

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