Upgrade Interconnects/Cables or…?


At 71 years of age, I have two possible upgrades I’d like to perform. After that I’m done, except for the usual tweaks (i.e., tubes, isolation, etc.). I’m very happy with the system I’ve built over the years, and it fits my room (medium), and the sound I’ve been after has been realized. I am guilty of concentrating on the main components of my system, and not paying much attention to what connects them. And, I’m in the hunt to upgrade my line stage…Maybe? So, what to do first, and perhaps I can hold off on the second option entirely? My budget is under $6,000 for either one.

I’m still an analog guy, even though I do have a DAC, Streamer, and NAS. My concentration here is for my phono playback. My interconnects and cables are old, but even so, each time I’ve upgraded a main component I have heard definite and sometimes significant improvement. Whenever I purchased interconnects/cables in the past, they were always decent ones at the time.

Option 1 - I’m looking at replacing the following interconnects/cables for my phono playback…

Turntable, Arm, Cartridge: Upgraded TW Acustic Raven, Ortofon RS 309D, Ortofon Verismo

               Current Phono Cable: Cardas Cross

Phono Stage: Tron Seven with the Reference caps

               Current Interconnect to Line Stage: Cardas Cross Reference

Line Stage: Boulder L3AE and recently upgraded the caps by Boulder

               Current Interconnect to Amps: Crystal Piccolo

Amps: TW Acustic 300B Monoblocks

               Current Speaker Cable: WireWorld Silver (original)

Option 2 - My system is fully unbalanced, so when considering a line stage, I don’t want to pay extra for designs that benefit from using the balanced side when I won’t be using that. One consideration for replacing my Boulder, is the Audible Illusions L3B.

So, which option might you choose if you could only choose one? And, what might you go with?

Thanks,

Kenny

kennythekey

mclinnguy,

Yes, I’ve played around somewhat with my interconnects and have settled where they stand today. Not much changes doing so, anyway. It seems the sum equals the whole.

I’m actually happy with power cords, and wonder if I should have spent more of that money on the interconnects? I targeted these cords specifically to the components. For example, and the most dramatic power cord upgrade was when I upgraded my 300B monoblocks to the Shun Mook ones that use original Western Electric wire. A leap of faith that actually worked big time. I have a killer cord for my Tron Seven phono, that was recommended to me by Jeff at High Water Sound, but right now I can’t remember it. My Boulder line stage uses a hard wired cord, so not replaceable.

Kenny

@kennythekey I have over the past few year carried out my own investigations in Cables produced using PC Triple C Wire and D.U.C.C Wire as the Signal Path.

What did I learn immediately through the trials and increasing the Cables using these Wire Types, to be extended through the System.

Digital is going to show a increased noticeability that a Signal Path has undergone a change of Wire Type. Analogue is less noticeable and requires a little extra attention to the listening, or even a little extra for the Cable to Burn In, before the changes that are occurring are perceived in a way a reasonable assessment can be made.

The same also goes for Power Cables produced using these same Wires, I myself strongly suggest that Power Cables are not overlooked.

I have wrote on the Gon on a few occasions about my usage of these Wires and how my loaning them into other Systems impacted on those who were receiving demo's. The use of PC Triple C Wire spread quite fast through a Forum Hifi Community in the UK, especially to the point, other ideas for the usage of it evolved and it become a Signal Path Wire throughout the system, as Umbilical and Internal Hook Up.

As a Wire impacting on a System, in a nutshell, it will remove veiled sound, opening up a more Voluminous Soundstage, deeper and wider is usually detectable after a short period of Burn In.

In use for myself and others who have adopted the wire, the general discussion makes it known how the perception of a increased lucidity through the sound produced, improves the Envelope, Attack, Dynamics, Micro Details. Once these traits are discovered to have manifested, when returning to previously used Cables, even allowing for  a period of settlement, in all cases I know, the old cables used are Superseded with Triple C Wire used.

I have shown through the Links the most budget entry to being able to experience the Wire.

I started my investigation with the Cart' Tag Wires.

SAEC also use this Wire in their most recent produced $13K Tonearm

PC Triple C / EX is also an option, especially if Silver is seen to have an importance.  

 

https://www.fromjapan.co.jp/japan/en/auction/yahoo/input/h1143602773/

https://www.fromjapan.co.jp/japan/en/special/order/confirm/https%3A%2F%2Fjp.mercari.com%2Fitem%2Fm48219969165/13_1/

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Kenny…looking at your system pictures the speakers are very close to the front wall and there’s not much acoustic treatment. 
Swapping cables out won’t give you that wrap around soundstage you’re looking for. That’s more amp/speakers/room combination given the source and preamp are up to the task and I believe that to be the case in your system. 
Have you tried pulling speakers our more into the room. You can also tow them in so they fire direct at the listening chair. 
 

It sounds like you’re happy with the sound overall. Hence my recommendation to play with speaker placement and room acoustics.

pindac,

Thank you for all the info you provided about the PC Triple C cable. I have checked out your links, plus I found a couple more of interest. BTW - I may already be using the Ortofon tag wires as you refer to them. I’ve always considered using a loom of cables throughout, but my main component upgrades always got in the way due to cost. One site, Osage Audio, covers Acoustic Revive products that include single-ended interconnects of PC Triple C cable. Another well established manufacturer, Furutech, offers power cords of the same. They also offer other cords made from a variety of materials.

My main dealer, Jeff of High Water Sound, is very well respected in Audio. It was through him that gave me the sound I’ve been after. He is also a Furutech dealer, so I’m going contact him to get his thoughts about the PC Triple C Cable. My approach to this cable search was to include him anyway, after first reaching out to this community, so I have a well-rounded idea of my options. The same applies to my possible line stage upgrade.

Kenny

audiophile1,

You have very solid points about steering me away from cables and concentrating instead on treatments and speaker placement. I’m aware of the rules that affect the soundstage, but not that simple in my case. For the most part, I have followed the manufacturer’s guidelines for proper setup of my Horning Hybrid Aristotle speakers. The bottom line is that these speakers want corners and I don’t have them in my room, so open on both sides of the wall. I’m stuck with that. My old house had the corners, but even after experimenting with toe-in, this simply pushed the soundstage forward and shrank its width, so smaller. My room front to back is only 14 feet, and my head is already 3 feet from the back wall. These speakers want the front wall to reflect and the back wall to absorb. I use a large tapestry behind me and curtains for the windows. This is not a dedicated audio space even though it looks it. I have to include my better half in the equation. With the corners missing I gain detail, but cripples the bass, so the sound loses its foundation and shrinks. I have compensated for this successfully by having custom open baffle subs built. These have changed everything and have brought my system to life.

Do you think treating the front wall will give me more of what I seek. I do have a large painting there in the middle that I’m very fond of.

Kenny