Top 5 Best audiophile tracks to test equipment



What are your top #5 tracks to test new audiophile toys?

Mines:

#1 - "Time" from Dark Side of the Moon, Pink Floyd [1973]
#2 - "Sultans of Swing" from Dire Straits, Dire Straits [1978]
#3 - "Remember The Time", from Dangerous, Michael Jackson [1991]
#4 - "Entre dos aguas" from Fuente y Caudal, Paco de Lucia [1973]
#5 - "Blue Train", from Blue Train, by John Coltrane [1957]
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"Perfect Sense" from Amused to Death..Roger Waters

Beethooven's Ninth Symphony...Solti Chicago Symphony

Shakti w/John McLaughlin and Zakir Hussein....recent CD live recordings in the past few years..one titled The Believer is exceptional
I like to use some Rickie Lee Jones tracks when checking out my system's performance.
Woody and Dutch on the Slow Train to Peking, on the RLJ "Pirates" album is a good one. A real fun song.
Also, most all of the cuts on the RLJ first(self-titled) album are good for testing, and just plain listening too.

The Willie Nelson album "Stardust" is great for checking out male vocals, and detail too.
Beethoven's 9th by Karajan (1961-62) (Tone, male voice, imaging, congestion)

Brahms' Violin Concerto by Szeryng (Violin tone, separation of woodwinds)

Train Song by Holly Cole (Low-mid frequency balance, imaging and ambient detail)

Something by Eva Cassidy (Female voice, clarity)

Beethoven's 5th Piano Concerto by Michelangeli (Piano detail)

Respighi's Pines of Rome, Reference Recording (Very low frequency organ notes)

Distingue by Billy Holiday (Tone, imaging, ambience and dynamics)

Show Biz Kids by Rickie Lee Jones (High frequency triangle, dynamics, articulation and detail)
In no particular order, I like:

"Moonlight Seranade" LP, Laurindo Almeida/Ray Brown. Almeida plays Beethoven's "Moonlight Sonata" on the guitar while Ray Brown weaves "Around Midnight" in and out on the bowed bass. (Detail, dynamics, low frequency articulation and information)

"Yulunga" Dead Can Dance CD (Percussion, vocals, image placement)

"Savitri" Gustav Holst/Purcell Singers LP (Remarkable LP on the Argo lable. Great test of the ability of your system to reproduce the female voice of Janet Baker, as well as soundstage. The male voice starts way in the rear and moves forward and to the right, then across the front of the soundstage as the piece progresses)

"Hebrides Overture (Fingal's Cave)" Mendelssohn. Maag/LSO 45rpm Speakers Corner reissue of the original Decca LP(Full orchestral work with a wide, deep soundstage)

"Firebird" Stravinsky. Leinsdorf/Los Angeles LP from Sheffield. (Enormous dynamic swings, subtle inner details, large loud percussive sections.) Performance is not quite a forward and well executed as the famous Dorati/London mercury release, but still a mighty fine test of a systems overall dynamic capabilities.
Hats off to Twl. I've been using Woody and Dutch on the Slow Train to Peking, on the RLJ "Pirates" album since it's release. Some others are the first song on Terence Trent D'Arby's "Introducing..." album and "Human Nature" off Michael Jackson's "Thriller". My ultimate test is Joni Mitchells "Court and Spark" album. The target pattern pressing. It's far better then anything else I own. Including the vinyl, SACD, DVD-A, and DTS pressing I have of other contenders.