Upgrade Interconnects/Cables or…?


At 71 years of age, I have two possible upgrades I’d like to perform. After that I’m done, except for the usual tweaks (i.e., tubes, isolation, etc.). I’m very happy with the system I’ve built over the years, and it fits my room (medium), and the sound I’ve been after has been realized. I am guilty of concentrating on the main components of my system, and not paying much attention to what connects them. And, I’m in the hunt to upgrade my line stage…Maybe? So, what to do first, and perhaps I can hold off on the second option entirely? My budget is under $6,000 for either one.

I’m still an analog guy, even though I do have a DAC, Streamer, and NAS. My concentration here is for my phono playback. My interconnects and cables are old, but even so, each time I’ve upgraded a main component I have heard definite and sometimes significant improvement. Whenever I purchased interconnects/cables in the past, they were always decent ones at the time.

Option 1 - I’m looking at replacing the following interconnects/cables for my phono playback…

Turntable, Arm, Cartridge: Upgraded TW Acustic Raven, Ortofon RS 309D, Ortofon Verismo

               Current Phono Cable: Cardas Cross

Phono Stage: Tron Seven with the Reference caps

               Current Interconnect to Line Stage: Cardas Cross Reference

Line Stage: Boulder L3AE and recently upgraded the caps by Boulder

               Current Interconnect to Amps: Crystal Piccolo

Amps: TW Acustic 300B Monoblocks

               Current Speaker Cable: WireWorld Silver (original)

Option 2 - My system is fully unbalanced, so when considering a line stage, I don’t want to pay extra for designs that benefit from using the balanced side when I won’t be using that. One consideration for replacing my Boulder, is the Audible Illusions L3B.

So, which option might you choose if you could only choose one? And, what might you go with?

Thanks,

Kenny

kennythekey

Thanks soix, I used those Herbie's gliders on a rack that I built with my daughter for her system. My speakers sit upon custom Silent Running Audio platforms for isolation with completely flat bottoms. I'll talk to my dealer Jeff to find out if it would be okay to drill into the SRAs to do the same thing. That would make it much easier to move the speakers around. I like that!

audphile1 - My Boulder L3AE line stage was built in 1990, and was one of the first Boulder Amplifiers products. It received excellent reviews at the time and still does if you look around. I picked it up as a slightly used demo from a Listen Up store back then for $1,250, but the retail was $3,500. The salesman was a friend of mine. Mark Levinson was in their heyday back then, so I had the Boulder inserted into their top system being demonstrated. I could not hear any difference betwen the Boulder and Levinson preamp. This revealed to me that the Boulder did not impart its own sound on the system. About 5 years ago, I took it to Boulder Amplifiers that was now a much different company manufacturing products so expensive that I could never afford. The guys their hovered over my L3AE and jumped on the opportunity to replace the caps. I've been using this line stage ever since.

My TW-Acustic 300B amps are made one at a time by Thomas in Germany who owns the company. I've met him a couple of times at the RMAF shows in Denver. Jeff at High Water Sound is his U.S. distributor who presents his variety of products at those shows and others (i.e., Raven Tables). The Horning Hybrid speakers that I now own, I purchased at the show after it ended. They were demoed with the 300Bs that I would get later. My 300Bs were the 3rd pair made by Thomas. Today, he's still making the model, but the cosmetics have dramatically changed to satisfy the high end market as they sell for $30K. As for my 300Bs, I will find out from Jeff how they were improved beyond their look. I hope so, as the original retail on mine were $18K and I did not pay that. I can say that they do not lack in transparency, and they are the finest piece of equipment currently in my system.

Commentaries:

https://www.stereophile.com/content/high-water-sounds-sounds-joy-tw-acustic-raven-and-cessaro-horn-acoustics

https://www.stereophile.com/content/high-water-sound-tw-acustic-cessaro-horn-acoustics-codia-acoustic-design-stein-music

Maybe, do the cables?

Kenny

Maybe, do the cables?

Yeah, when I tried the Cross in my system they sounded veiled so I’d think moving to something more transparent would better reveal a sense of openness and space that you’re looking for without necessarily having to give up anything in tonality or musicality. Can’t comment on your other cables as I’m not familiar with them, but I’d think even just replacing the Cross alone could be very beneficial and maybe all you need. What’s your budget, and would you look for new or used?

Sure why not…try cables. Something less warm than Cardas. Nordost, DH Labs, Kimber are some that come to mind. 

In dealing with your wife. I recommend a grand jester before she sees them. A trip to the Caribbean or a diamond bracelet whatever she likes. Then let her see it and say how wonderful it sounds.

First, I'm going to zero in my speakers.

soix - Yeah, the Cross are older than many of the members here, but they must be broken in by now! LOL. I'm looking at a total budget of under $6K.

audphile1 - Now that cables at least feel the way to go, I think I'll run this by Jeff. I mean, he sold me everything but the Boulder, so should know what works best. He does have a habit of trying to blow my budget on just one thing, so invest in the best you can get with your money on-hand. I'm sure I can get him to suggest what to use for the whole package and maybe this might be a loom of cables.

ghdprentice - Ha..Ha..Ha! If I do any or all that you suggest for my wife, then I can't afford my cables. indecision

tablejockey - I wanted to ask you if you're after an original MR71 case or if you're looking for one of those custom wood jobs like I have?

Kenny