Is there Tannoy Magic / Should I buy a pair of Tannoys as "accessory" speaker?

I saw an advertisement for the Tannoy Sterlings, and even though I just bought a pair of Revels and am now out of the market I still cannot help myself from wondering about speakers "that I should have bought," so I read a review on the Sterlings and got the impression that they might be finicky about setting up as far as placement goes?  

My Basement system is where I interchange various components including Vintage Original Tannoy Berkeley's from 1970 with 15" HPD385A drivers, new surrounds in 1997 and upgraded crossover in 2018. I think they shine particularly with classical and jazz as they are very accurate and revealing. If I want to rock, I need a little more bass than the Tannoys can deliver so I switch to my Altec- Lansing  604-8G's or JBL-L7's and L-100a speakers. The old 15" dual concentric drivers like he HPD385, Golds, Silvers are the ones sought after for $$$. I have not been impressed with the newer ones that I've heard.

@immatthewj , @pehare is a long time owner of Tannoy Sterlings and may want to weigh in on as to whether or not Sterlings are finicky with regards to placement.

In my living room, I have a pair of JBL Everest DD67000 and a pair of JBL 4350. They are on adjacent walls and driven independently by McIntosh and Luxman equipment. I listen to Bach organ concerti, other very dynamic orchestral music, and a little bit of rock (maybe Pink Floyd “The Wall”…) on the 4350s, Puccini, less dynamic orchestral, and mix of pop, Americana, jazz, folk on the Everests. And I added a pair of 12” Tannoys a couple of years ago. They’re Stuarts, and they sit maybe 18” in front of the 4350s but far enough to the side to not block the mid and tweeters. They are wonderful for Ella Fitzgerald/Tony Bennett/Julie London style vocals, acoustic ensembles (jazz, pop, classical), jazz club live recordings. The Tannoys are driven by Luxman, Marantz, Concept, Onkyo integrated or receivers (heresy here, right?). They don’t handle the big dynamics, but imaging/soundstage is great, and so is (what I would call) presence or immediacy. They are getting the majority of the play time since they’ve been in place. I bought them in a package and didn’t intend to keep them, but I haven’t been able to get motivated to pass them on.  So they are being used as an accessory speaker, but they’ve sorta turned that on its head by commanding the most play time.  They’re the only Tannoys that I have spent any significant amount of time with.

I have a pair of Tannoy DC8Ti speakers in my dedicated music listening (12’x15’x8’).  I purchased them used five years ago from a local LG TV dealer right off the showroom floor (they sounded fantastic).  At the time, I had a vintage McIntosh system (10 years old) and even older Pioneer system (25 years old).  I hooked the Tannoy’s up to each system and, while they sounded very good, they didn’t sound as good as the store demo (imagine that ).  

I used that as an excuse to upgrade to my current system and couldn’t be happier.  It took me several weeks to get them dialed in properly, but once I did, the Tannoy magic was all there.  I don’t need a sub; depending on the recording, soundstage, instrument separation, and imaging is excellent and, on most songs, the speakers just disappear.  

My Tannoy’s are driven by a PS Audio BHK250 power amp and LTA microZOTL preamp (I sold my BHK preamp once I heard it in my system).  Streaming source Innous Zenith MKII to Matrix SPDIF-X via i2s to a PS Audio DSD DAC. Vinyl source Technics SL1200G to a PS Audio Stellar phono pre.  

I can’t speak to the state or sound of Tannoy’s current line from personal experience, but I can tell you, the DC8Ti’s are excellent speakers.  The build quality is impeccable, and, with the right gear, the sound is natural, engaging, with no listening fatigue.