@audio_rd_uk, thanks for following up on the 12-in Agile. Your rig looks sharp in the vid. So it seems you found the 12 to be slightly more relaxed and less dynamic that the 9.5, which is not unusual. I have 12 and 9 Graham Phantoms (III and Supreme, respectively) on the same turntable and that pretty much describes the difference in their sonic profiles. BTW, I recently adopted the OL Strata mat on this turntable. It's excellent, and I say that as someone with an embarrassing number of mats in the closet.
Developing A List Of Tonearm Candidates For A SOTA Turntable
So this month i sent my SME V off to a new home, and that leaves my SOTA armless. My other table has a schroder CB-1L on it and I have run either an Ortofon Verismo or Transfiguration Proteus on it. I did put both those same cartridges on the SME on the SOTA and it always had a disappointing presentation of harmonics and texture. A monochromatic sound could be the best description I have. Time for another arm.
The SOTA armboard restricts the type of arm that can be installed. The arm types that have a VTA tower and separate pivot point take up too much real estate to fit. So fitting something like a Wheaton, Reed, or Durand does not seem possible. I wondered about elevating the arm board so its level with the top plate, but I am not sure if there is enough room for the want to pivot without removing the dust cover. It is a possibility, but I wonder how it effects the travel of the suspension. and if there are unintended consequences. I have yet to read about any SOTA owners doing this.
So I am trying to put together a list of candidates. I do know some folks appreciate the Origin Live arms, but I am not very well versed in their lineup. I have wondered about the Groovemaster arms also. I have looked at the Moerch, but its kind of a fiddly thing. The point is the table is on the sidelines at the moment because there is no arm in place. I typically shop the used market, but I can be patient and wait for the right arm to come along. The benefit of having more than one table i guess.
Anyone else have any suggestions. Appreciate your thoughts and experiences.
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When the TT > Tonearm > Cart' are seemingly performing out in front of other permutations trialed or wed to. The introduction of using Platter Mats in a variety of types can then become another method to help really hone the end sound to ones preference. I do this with a large selection of owned Mats and have found my go to mats. It s also quite a reveal how adding different spindle weights in conjunction with a Mat can enhance the qualities the Mat has shown as being able to add discernible improvements. |
@neonknight This is what it's all about. We can (and do) go down philosophical back-holes pertaining to mechanical & electrical component design, but the "conclusions" often have little bearing on the pleasure we derive from a system. High-end vinyl playback is rife with patterns of solving the wrong problem, or a problem that doesn't really matter. It's human nature. |
@mulveling and @neonknight I agree on VTA. As above I am in the ’club of’ find an optimal for what (thickness) you play most, set L/R balance for that VTA (I ultimately use a l/r balance record for that to also take into account anti-skate influence) and then enjoy. After 42 years working in R&D I only pursue and fix real problems. @wrm57 OL were at Ascot on Friday and as you can see at 3:11 https://www.youtube.com/watch?v=djDomUrQkEs using the Sovereign-S (which like the Voyager effectively has a ’strata’ matt built in) and Agile arm through their Discovery stage and a sugden amp into DeVore’s this year and a multi speaker sub-they modified with hypex amps. Sugden aside I am still not sure the rest of that set up allows the full capability of the deck through. We will be comparing through my two systems in 3-4 weeks. Though setting up in demo rooms is always a bit of a trial especially when they have as much glass as in the Ascot rooms. |
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