Anyone notice different amounts of surface noise with different arms?


Using the same cartridge, I just went from an SME 3012R to a Bokrand AB309 and while the Bokrand is no doubt a better sounding arm in my system, I’m definitely hearing more surface noise. Records are cleaned with a Degritter so it’s not dirt... but the arm picks up more of the noise from my older records.

dhcod

@rauliruegas All my records are in effect digitized as my phono stage runs directly into the ADC of the Lynx Hilo. I have gone back and forth between analog RIAA correction and digital RIAA correction and I can not tell the difference. I can record records either way. As far as the performance of my turntable is concerned, it is right up there with the very best. It has no bling. It is the cost effective way of going about it. I put it together to play music not stare at it. Could it be better? Yes, with the addition of a tangential tracking tonearm. No turntable/cartridge/tonearm combination can compete with the best 24/96 or 24/192 files. I have heard some great analog systems over the years and none of them can compete with a digitally corrected one. 

@richardbrand My DEQX preamp has a Volumio chip in it which connects with a multitude of streaming services. After doing some research I subscribed to Qobuz and have been very happy with it. It is the first streaming service I have heard that matches Channel D's Pure Music program. I'll look into Presto Classical, Thanx for that.

@mijostyn As someone who listens for a living in my work which is tangential to the music industry, your blanket statement about that level digital being superior is completely fine for your ears. I’ve done the comparison in a room of people in a recording space with multiple analog sources  vs the best digital and every single analog source, tape or LP was preferred by the group. It’s just what you like, what sounds bring YOU pleasure. This group likes analog sound, you don’t. Blanket statements don’t apply. 

@dhcod I like sound, period. I did not say digital versions always sounds better. Digital sources can in the end provide better reproduction with lower noise and distortion. Whether or not a digital version sounds better is very dependent on mastering. At this point in history 95% of all music is recorded digitally. As for your group think, unless that type of comparison is done very carefully, blinding the panel it is virtually meaningless. 

The greatest sources of signal corruption are the loudspeakers and the room they are in. A system can be measured and these deficiencies corrected with digital signal processing without adding any distortion or noise. If starting with a digital recording it is best to stay digital until the very end of the chain, the amplifier. Going back and forth between formats is never a good thing. 

Anyone who always prefers analog sources and systems has a psychological issue. Nothing in this life is always except death and taxes.

 

@mijostyn :  As ​​​​​​@dhcod  said " It’s just what you like, what sounds bring YOU pleasure. "

 

Now, " I have gone back and forth between analog RIAA correction and digital RIAA correction and I can not tell the difference. " :

of course you can't because at the end your system and specially the bass range works in the digital domain. I'm not talking which RIAA is better but  maybe why you can't hear differences.

Anyway at the end we are listening what we like it and not what should be.

 

R.

@mijostyn Blinding the panel isn’t what music listening determination is about. It’s what you enjoy listening over a long period of time. I’ve had state of the art digital in my personal listening system and boy it sounds awesome. And then after a few days I want to kill myself because it’s just not conducive to long term listening. With good analog, I’m hard pressed to turn off the music. With even the best digital, I’m out after about 45 minutes.

By the way, the music is recorded digitally but there’s a ton of analog elements in between because artists know digital sucks. They hate it.