I find enjoyment and value in tubes made for hospital equipment. Often these have red, blue, or yellow painted tips . In most cases, these have been screened for critical use.. I find most of the red, yellow, and blue tips incredibly quiet and very three dimensional in sound. Sometimes they were made by Amperex, or Telefiunken, Mullard or even Matsushita but released under a different brand.. I generally feel the same about organ tubes (Baldwin, Wurlitzer, etc) often made by RCA that have gone through the extra screening process to assure low noise..
Calling All Tube Gurus
I know everyone loves to have their tubes come from the same date codes and manufacturers. But just how critical is this?
If you can determine that a tube was made in the same plant, has the same construction and date codes, how critical is it if the tube was made by Siemens and rebranded as an Amperex? Or let’s say the tubes has the same construction but were manufactured within a year or so of each other?
I’ve heard people say that if a manufactures tubes are not up to their standards, THOSE are the tubes they send out to the other manufactures for their branding. Fact or fiction?
Has anyone experimented to see how these variables actually affect their music? I realize everyone has their own tolerance to what is acceptable to them, and that it can also be system dependent, but I am curious to the findings any of you may have.
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- 24 posts total
- 24 posts total