Recommendations for a jazz record which demonstrates vinyl superiority over digital


I have not bought a vinyl record since CDs came out, but have been exposed to numerous claims that vinyl is better.  I suspect jazz may be best placed to deliver on these claims, so I am looking for your recommendations.

I must confess that I do not like trad jazz much.  Also I was about to fork out A$145 for Miles Davis "Kind of Blue" but bought the CD for A$12 to see what the music was like.  I have kept the change!

I love the jazz in the movie Babylon, which features local Oz girl Margo Robbie (the film, not the jazz).

So what should I buy?

128x128richardbrand

@lewm and everybody else!  Yes, I have a mountain of advice on what jazz records to buy, and I am sifting through it all.

Meanwhile if I spot new classical record releases with excellent reviews for a fifth or a tenth of the cost of the best audiophile jazz, I'll grab them!

Your Krell preamplifier likely has a very wide bandwidth, which makes it susceptible to RFI in the environment, though perhaps not a source of RFI. RFI can get in by radiation from an outside source like a radio antenna or on the AC line via wires or on an IC connector, also via traveling on the wire.

I have an entry-level Krell KSB-7B pre-amplifier with external power supply so I doubt that RFI is a problem there, but who knows?

@richardbrand The RFI is injected directly into the phono input by the tonearm cable. If the preamp has provision for 'cartridge loading' then yes, its susceptible.

@atmasphere 

OK, RFI via the tonearm cable makes sense!  The Krell has adjustable impedance from 5 to 47,000 Ohms, set with internal switches, for MC cartridges.  It has switchable gain for MM cartridges.  Its frequency range is 5 to 100,000 Hz within 1 dB and it is a fully balanced design with no capacitors in the signal path.

The manual talks about positioning of both the power supply and other components like CD players to minimise hum, which I have had to work on, starting with the deck.

The original cables in my SME 3009 tonearm (series 2 improved with fixed head shell) must be 40 years old, and the connectors at the cartridge end have become heavily oxidised.  One of the connectors came adrift when I changed cartridges and had to be soldered back.  Despite this, I am thrilled with the replay quality.

One day when I get more confident, I should seriously look at replacing the litz wiring but it looks like a very fiddly job.