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Which sounds better 2 way or 3 way speaker design

Seeking to purchase one of the following 3 speakers:

1. Proac K3-2 way design

2. Totem Element Metal V2-2 way design

3. Triangle Cello-3 way design

I am under the impression, (which I may be incorrect) that a three way design is superior to a 2 way design.  All of the above speakers listed below retail for about $18,000 per pair. Am I correct to assume that a 3 way design will give the listener a much better chance to hear the full audio spectrum as opposed to a 2 way design?

Thank you.  

 

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toddalin's avatar
toddalin
272 posts
 

Ooops, 4435.  Stupid edit time out!

quickjack1234's avatar
quickjack1234
79 posts
 

Definitely 3 way !
ALL 2 way have a hole in middle and are compromised ! and my Vintage 40 yr old Allison AL130 ( 3 way w/ push pull twin 8" woofers and the unique CONVEX mids and tweeters ) not to mention unusual crossover points! = 450Hz and 4,000 HZ ( adroitly bypasses the midrange and voice issue ? ) are vastly superior to MANY modern high-end speakers! ( note they were $1,200-1,500 back in day so about $ $11,200 today! defo "high end " speakers if sold today!
too bad so sad noone can make the unique and proprietary and nearly IMPOSSIBLE to make tweeters and mids ( they were actually assembled by robots! YES! )
add a couple modern GR research open baffle servo subs or a vented and sealed combo of 2 servo subs your fav brand and you will have near-perfection ( filter to the speakers at 80-90 Hz fr subs so the tower speaker woofers just do low bass ! ) May be an image of speaker

tcutter
111 posts
 

I also vote for a 2.5 way. I disagree with the statement the midrange needs to go to 80Hz since the common definition of midrange frequencies varies from the low end at 250Hz to 500 Hz and then anywhere from 1.2kHz to 4000 Hz or more at the higher end.  

 

The Wilson-Benesch Vector speakers run the midrange full range, a common feature of a 2.5 way, and design it to acoustically blend with/supplement the woofer, which is low-passed at 500Hz, and then hand off to the tweeter which is high-passed at 5000Hz. Both crossovers utilize a first order  design. All of these components are designed and manufactured  in house so there is exquisite control over the product. 

 

Thus, a single driver covers the entire midrange. There are many other excellent ways to preserve the integrity of the midrange, but this one works well and is elegant in its simplicity.

toddalin's avatar
toddalin
272 posts
 

I said ~80 Hz for the bottom of the midrange because the idea is to keep at least the fundamentals of the human voice within one driver and there are those who can certainly sing lower than that.

sounds_real_audio
1,018 posts
 

tcutter

the Wilson beseech vectors are incredible...the bass driver the same size as the midrange with no cross over...no cross over. 

 

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