Recommended for Americana Fans: Amanda Ann Platt and the Honeycutters


I spend many hours exploring artists unfamiliar to me on Spotify. This week I came across this band. I’d never come across any mention of them before and thought other Americana fans here might enjoy them.

New York born and transplanted to North Carolina, Amanda Ann Platt is an excellent songwriter who’s asserted she’s as much influenced by Springsteen and Tom Petty as by Classic Country artists. Although a cursory listen might suggest the music is Country (due to the presence of pedal steel and mandolin and the overall rhythmic feel), the writing is more sophisticated and not hobbled by adherence to familiar Country tropes. In other words, it stands up to repeated listening. I particularly like "On The Ropes". On this particular record, the utilization of a Strat, incorporating bluesy bends and a Knopfler-esque tone imparts a Rock tinge that is distinctly different from Tele chicken-pickin’.  

https://www.youtube.com/watch?v=PDVVjPva0vI&list=OLAK5uy_lXj0YAS5kf7T47Eu-vEExnAyKAGjCSggk&index=2

 

 

stuartk

@slaw

It can be hard for me, too.

But not in the case of that Hiatt album. I wouldn’t call it Country. There’s just as much Blues influence and some Folk, too, which for me, is makes it unambiguously Americana. You can clearly hear the Roots genres it draws from, but it doesn’t adhere to any single Roots genre. As @bdp24 asserted, Lucinda Williams is a great example of this.

@bdp24

Alt Country always sounded to me like Alternative Rock guys trying to play Country, as opposed to Classic rockers. Hard for me to put my finger on the difference, but I do hear a difference.

As a guitar player, I tend to focus on guitar. Limiting habit! But I hear what you mean, re: the drumming, now that you’ve pointed it out for us.

@bdp24 

re: video, I still enjoy listening to Rodney's first solo album, which was my first exposure to this tune. Lots of great players on that one! 

 

@stuartk: Rodney Crowell first became a National name as the leader of Emmylou Harris’ Hot Band. He played acoustic rhythm guitar and sang harmony with her, and her band included the likes of Tony Brown (later becoming a major Country music producer), Albert Lee (everyone’s favorite Tele player), Emory Gordy, Jr. (later in Dylan’s band), guitarist/mandolinist/singer Ricky Skaggs, and pedal steel master Hank DeVito (and writer of "Playing With The Queen Of Hearts", the best version being that of Dave Edmunds). Buddy Miller now serves Emmylou Harris as her bandleader.

 

It is my opinion that to qualify as Americana, the music has to have the "Southern" feel, as does Country. I don’t know how to characterize "Southern", but I know it when I hear it, and know when I don’t. It is conspicuously absent in the music of many of the Alt-Country artists and bands. To hear it, listen to the music containing the playing of The Swampers, the renown Muscle Shoals studio band.

 

There is a good book entitled Country Music: White Man’s Blues, written by John Grissim and published in paperbook in 1970. Highly recommended.

 

John Hiatt is almost a genre unto himself (as is Dylan, Richard Thompson, Van Morrison, and other unique and unclassifiable artists). John Hiatt’s Bring The family was for years my favorite album, and is music making at the highest level. Hiatt isn’t Country, being more of a Blue-Eyed Soul singer and writer. But remember, in the 1950’s Blues was considered a form of Folk music. In the South, all musical forms tend to get integrated. Elvis’ five Sun singles (and 78’s) contained a Blues on one side, a Hillbilly on the other. Hank Williams learned to play guitar from a local Blues street musician.

 

@bdp24

Rodney Crowell first became a National name as the leader of Emmylou Harris’ Hot Band.

I know. We saw the classic line up of the Hot Band (the one on Luxury Liner) sans EmmyLou at a tiny venue in Santa Barbara (The Bluebird Cafe) in the late 70’s. For good measure, they brought along BOTH Albert Lee AND Frank Reckard ! Rodney was the de facto leader that night, singing most of the lead vocals.

I realize Hiatt did not begin as anything close to Americana. I agree -- "Bring the Family" is a killer album. And I’d agree that in the South, the various Roots genres tend to blend together. I’m just not sure that Americana music must be Southern.

I do get what you’re saying about Hiatt being almost a genre unto himself like Dylan. Both clearly draw from Roots genres deeply. This makes sense.

Another question: how would you classify recent Marty Stuart albums such a "Altitude" that seem to mostly refer to the Byrds’ Country forays?

 

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