I just had the pleasure to audition the MPS-5 along with other fine digital sources. It was the EMM Labs XDS1, Linn Akurate DS, and my current Krell Standard MK3. An Ayre C5XE-MP will be coming soon, and hopefuly a dCS Puccini as well. To be honest I don't have that much motivation to test other digital players after hearing the MPS-5.
I don't think I can add much value to the other reviews, but I can say I agree with everything they said. I preferred the presentation of the MPS-5 over all the others. The XDS1 was also very good, but it's so much more expensive, and yet I still preferred the sound of the MPS-5. Fit and finish on the XDS1 might be just a tad nicer, the buttons pressed a bit firmer, the transport seems like it "slid in" with a firmer grip (I heard the XDS1 uses Esoteric's most expensive transport, but I can't confirm that, and I had also heard that it's the same as the PD MPS-5), and it had a repeat button which I find very handy.
But all this is so minor compared with the sound. The MPS-5 was bigger and bolder, the bottom end fuller, the soundtage wider and higher, and the decay of pianos longer and more natural. Those were the most obvious differences. As far as resolution, I didn't have enough time to go through enough music, but any difference are probably minor.
The Linn Akurate had a leaner soundstage versus the MPS-5 and the XDS1, and sometimes at the end of a note could have just the slightest of glare I thought. However, I find the Linn the easiest way to play high rez 176/24bit music. There is just no beating hooking up directly to an ethernet cable and being able to play files off your NAS located somewhere else in the house (my server room where the router/switches are), and controlling it with an iPod touch WITHOUT any computers having to be turned on. A computer (music server, whatever you want to call it) turned on and hooked up to a DAC via AES is not my idea of the future.
An MPS-5 with an ethernet input would be so perfect.
Lastly, my Krell is quite far below any of the above in terms of everything.
Some pictures if there's any interest:
http://www.flickr.com/photos/28134735@N07/sets/72157623458136038/
I don't think I can add much value to the other reviews, but I can say I agree with everything they said. I preferred the presentation of the MPS-5 over all the others. The XDS1 was also very good, but it's so much more expensive, and yet I still preferred the sound of the MPS-5. Fit and finish on the XDS1 might be just a tad nicer, the buttons pressed a bit firmer, the transport seems like it "slid in" with a firmer grip (I heard the XDS1 uses Esoteric's most expensive transport, but I can't confirm that, and I had also heard that it's the same as the PD MPS-5), and it had a repeat button which I find very handy.
But all this is so minor compared with the sound. The MPS-5 was bigger and bolder, the bottom end fuller, the soundtage wider and higher, and the decay of pianos longer and more natural. Those were the most obvious differences. As far as resolution, I didn't have enough time to go through enough music, but any difference are probably minor.
The Linn Akurate had a leaner soundstage versus the MPS-5 and the XDS1, and sometimes at the end of a note could have just the slightest of glare I thought. However, I find the Linn the easiest way to play high rez 176/24bit music. There is just no beating hooking up directly to an ethernet cable and being able to play files off your NAS located somewhere else in the house (my server room where the router/switches are), and controlling it with an iPod touch WITHOUT any computers having to be turned on. A computer (music server, whatever you want to call it) turned on and hooked up to a DAC via AES is not my idea of the future.
An MPS-5 with an ethernet input would be so perfect.
Lastly, my Krell is quite far below any of the above in terms of everything.
Some pictures if there's any interest:
http://www.flickr.com/photos/28134735@N07/sets/72157623458136038/