Can we make major musical discoveries at age 50, 65, or 80?


Most if not all of us remember our early formative musical experiences vividly. Maybe it was a first live performance, maybe some new band an uncle played on his stereo, or maybe a staticky pirate radio broadcast of a brand new British song for those who grew up across the pond.

I first heard Abbey Road in my single-digit years. Come Together probably rewired my brains right then and there, for better or for worse. My parents liked classical, and I developed a long-lasting fondness for Brahms.

Later in life, more pressing priorities take over. Careers, raising families, spouses who consider music and the gear it plays on a waste of time and money.

And later, we often gravitate back towards music.

I could have been happy listening to glam-rock and prog-rock forever, but I was always curious about new music and regularly got infatuated with new genres and groups and artists. Some of these infatuations fizzled, like with black metal and post-rock. Some, like Chilean rapper Ana Tijoux, ignited a taste for Latino music and Spanish-language hip-hop that lasts to this day. Then, random encounters with the music of Floyd Lee and Junior Kimbrough reignited a long-dormant love for the blues, for good this time.

And (very) few other artists like F ck Buttons, though discovered well into middle age, had the same transformational effect on me that Eno, Roxy Music, Kevin Ayers and David Bowie had when I was 12 years old. Sadly F ck Buttons is no more, having disbanded after just three
towering, monumental albums. To this day I listen to them almost daily, and I will only consider audio equipment that satisfactorily passes the F ck Buttons audition test.

Then just recently, an Audiogon member recommended German band Bohren und der Club of Gore as a gateway to Jazz for folks who don't like Jazz. Since I don't like a lot of Jazz, I figured I'd take a quick listen and not only I loved it, it immediately attached itself to empty receptors in my brains somewhere between ambient / drone / industrial and downtempo Jazz / Classical. The band immediately went into heavy rotation here in my humble abode. It is perfect focus music, too.


Which brings me to this thread. Have you experienced musical revelations later in life that equaled or bettered those from your childhood and teenage years? What were they, and when and how did they manifest?

Thanks and Happy Listening!

 

devinplombier

@bassbuyer 

I keep discovering new music and new artists after 50 years of listening.  I don’t think they have the same impact as when I was younger but what does.

When you're young, you're like a piece of undyed cotton. When you're older you're like a richly layered tapestry.  Things might feel more intense when we're younger, but they can feel more multi-dimensional when we're older. It's like a single note ringing out into silence compared to that same note played within a complex chord with lots of overtones. 

 What the same is the feel and joy of listening to music I love.  

Which is what counts, IMHO! 

I’m 67 and discover new music on an almost weekly basis. In fact, many of my favorites now were unknown to me just a couple of years ago. Streaming and Roon have made this possible. When I was young and getting into music money was hard to come by. If I put together a few pennies to buy an eight track or album, it was going to be one that I knew I would like, which meant a band that was very familiar to me. I definitely wasn’t going to take a chance on wasting my $3.99 on someone I didn’t know. You could sometimes get onto someone new through the radio, but for the most part, they just played the hits.
 

for years, I only listened to my old favorites. In the last few years as streaming  has gotten better and particularly with the introduction of roon discovering new music is not only easy, but one of the more satisfying aspects of the hobby

 

Agree that streaming has made finding and listening to new music so much easier.  Qobuz starts their menu with new releases which make it easy to check out the latest new music.  I also get new songs from satellite radio if I’m not listening to my playlists in the car.  

It is the people who do not expand their appreciation of music that befuddle me.

What I find interesting that even when I find something that sounds new or is in a different style I didn't listen to before I am still kind of looking for the same things. Last year I went into a bit of a jazz phase, trying to listen to different sub-styles from different times. There's a whole world to explore if you only ever listened to „Take Five“ and there were albums I discovered that I found deeply pleasing, touching and positively challenging. But with all the new approaches to playing music I was confronted with I tended to like those most that shared some qualities with other music I listen to otherwise. One example: I never liked rock's masculine, alpha-male side, so anything that gave me the feeling the musician wanted to present (in musical form) how massive his genitalia are I was out. More inward-looking – yes, please, more. I also always liked music where there's not too much going on on a surface level: Motoric Krautrock, Ambient, Dub Techno, these kind of things. So I also noticed that this plays into my approach to listening to Jazz: Too many notes kind of put me off. So for example I came to enjoy some nordic jazz such as Bremer/McCoy or the latest Jeff Parker ETA IVtet-Album – nice!

What I want to say is that even with open ears there are some things I can't escape. There are shifts in these underlying qualities. I don't listen to agressive music with the same pleasure as twenty years ago for example. But these shifts are less connected to finding new genres or styles.