Surely you jest! I have a pair in my project studio. Not bad to work up a rough mix, but they aren’t in the same league as the KEFS or the Dyns. Hell, even my little KEF LS50s have more "clarity & resolution, etc.." and much better imaging, which is almost non-existent in the Yamahas.
Not really!.....Something tells me you were very very unjust with this monitor because the audiophile that you are heard the words ’yamaha’ and ’pro-monitor".
If you even have it, the exact hs8 model (the 8 inch model with the ab amp in it and acceptable cabinet volume.... not the littler crappier ones, hs5, etc) . treat it fairly and give it a front end, like a hifi preamp and hifi dac, the same that got used with dyning audio or your ls50 squawk box in the same position, same room,, because you ain’t rough mixing in the garage this time.
Also, the Yamahas are designed for near field monitoring, which is not what the original poster is looking for.
His room looks very nearfield, dont you think?. When he leaves the requisite 5 ft behind the monitors, he’s all nearfield with his 9 ft office room. (You never even read the hs8 manual, did you? If you even have one? Or thought you didn’t need to comply with the manual’s recommendation???) You can also use these in midfield or whatever field for ’audiophile’ listening.