The DAC Scam - Almost everyone believes the hype


Over many decades I have owned my share of multi-thousand dollar dacs.My current is my Audio Alchemy DDP-1 + PS 5, which I have owned for ~ 4 years. I have made many changes to my system, including cables and it has shined a light on every one, so I tend to agree with the YTV . Your thoughts?

https://www.youtube.com/watch?v=7Sg1nYLmLCw

tweak1

The assumption that the DAC chip or processing technology is the determining factor for sound quality is a fallacy.  I have posted before, it is the implementation of the design intent in using whatever processing technology is chosen, from the digital input stage to the analogue output stage, that determines sound quality.  I find implementation of the analogue output stage as critical, more critical to sound quality as the processing stage.  I have noted over the years the gap between DACs in the lower price range to upper price range has narrowed.  The benefit/cost ratio becomes personal preference and means.  
 

The assumption that the cost of goods should dictate retail price alone, and companies selling expensive DACs do so to take advantage of customers, is a fallacy.  The capital goods we purchase in the hobby are luxury goods.  The driver for setting retail price for any luxury goods is value based pricing where the price is set based on the perceived value to the customer rather than the cost to produce it, leading to higher retail prices, and of course, higher profit margins.  The content developer only considered COGS.  He did not consider that this is a boutique market with small volume net sales and low volume manufacturing processes that drives COGS higher.  I would assume the content developer has never participated in a formal break even analysis.  He did not consider development cost and GMROI.  Many brands do extensive analysis of years to bring a new or revised model to market.  However, prices of some manufacturer’s equipment are above the means of most of us.  Unless we have participated in their market and price analysis, we cannot comment and should resolve ourselves to respecting their technological achievements, and be satisfied with our systems.  
 

 I find this content developer is speaking from an uninformed position from both and audiophile and business perspective so as to strike emotional response in an effort to get more views to elevate his marketability.  Sorry I helped him.  

Deepest salutations my friend!

@mahgister 👍  
I'd say "You ARE what you hear and how...."

Gets deep quick.  And gone thru this before here.

Do what cha' do.

Fleeting as is

Enjoy, J

True...

Like is true that in democracy we are all equals in right...

But as said Orwell "some are more equal than others"...

 

The most important factor all others included together is acoustics (psycho-acoustics too) basics...

 

 

EVERYTHING matters for sound. Next discussion.

There are more significant differences in recording style than DAC flavors (analytical vs. "musical"). Then add personal preference, and the vast majority of DAC are perfectly fine. For those discerning folks, you may need multiple DACs and match them to the recording.

As pointed out elsewhere, I experimented with a $250 and a $5,000 DAC and preference depended on track. Differences if perceptible at all were minute at best. Neither of the DACs was objectively "better". In that case, it was a cheaper chip vs. a more expensive R2R DAC.

So rather consider foot print and look of the DAC than thinking one may sound better for a variety of music and recording styles. If you like audio bling, go for it, put your bespoke ethernet/USB cable on lifters. If you want to be more frugal, know that you are not missing anything with respect to audio, if that is your primary interest.