The best speaker you ever heard?


In my opinion, the speaker is by far the most important part of the audio system. After all, it is the only part you hear. OK, the other stuff really matters a lot, but without a great speaker... No go.

I am a bit 'speaker-obsessed' I guess, and now I am wondering: What are the best speakers you have ever heard, and what made them the best?
njonker
Gallardo, I like your $8,000 limit. Would you rate 4 or 5 current models you think are as good as money will buy ?
What about the Wilson Maxx 2? Can the duos get that kind of bottom end clean, sharp punchy bass response???
KLIPSCHORNS--Read on..I'll tell you why. Before I ended up with a pair, I been nosing around high end audio stores and listening to some high end setups. I have heard GRAND UTOPIAS, AVANTGARDE DUOS AND TRIOS, WILSON GRAND SLAM and DYNA AUDIO--can't remember the model but their about 7ft. tall. The salesman usually tells me what the speaker is all about and more importantly the price. None of these speakers impress me. I don't know, maybe because of the listening room--or just the overall setup. One weekend I got invited to a get together in a friend's house. In the basement they had a pair of 1985 KLIPSCHORN on the corners-- 20 FT. apart being driven by a 300B SET amp. The chair I sat on was about 8 ft from the front wall. For the first time the hair all over my body stood up. I could not believe what I was hearing. The depth and width of the Soundstage, the three dimensional very life like midrange and the immediacy. That's when I found out that these speakers where first made in the late 40's to present with very little changes. Now why would a company make the same speakers for over 50 years if it's not THE BEST SPEAKERS in the planet.
Yo, Justubes,
I owned K-horns for 20+ years. I absolutley loved everthing about them...BUT, the 4,000 Hz - 8,000 Hz peak drove me crazy. On almost all of my classical recordings, they made the violins sound like wire, and twangy wire at that. Higher-pitched brass instruments would drive you from the room with a whanging headache. Their bass was the deepest, most natural I have EVER heard, and their legendary sensitivity made them driveable to full volume on less than a watt. Hell, I could have driven them to 100db with a battery-powered wristwatch! I kept them for 20 years for their virtues, hoping to be able to eliminate the one damnable flaw by experimenting with different electronics, etc. But no luck. I finally sold them, for TWICE what I paid for them, and the buyer was ecstatic (still is) to get 'em so cheap! Now, THAT's value!!
I never had a room that was large enough to space them 20 feet apart, though. The most I could do was around 15-16. I DID hear K-horns, with a derived center channel (the "Heresy," I believe), in an enormous room...it had to be over 40' wide. If you sat at least 30-40 feet away from them, the peak was ameliorated and they sounded fine. The guy (lives in Hong Kong) used vintage McIntosh tubes...25 watts per side. I suspect you are right, that SET's in a large, LARGE room might do the trick. You'd only need 1/2 to 1 watt to fill the LA coliseum! Even though I had no luck with 'em, it's fun to read about someone else who responded so positively to these "old" classics.
Happy listening!
Gerald Clifton