Should Equalizers make a comeback?


Some like warm, some like bright, some like neutral. Should hardware equalizers make a comeback? Basically aren't Marantz and Rotel amps just rolled off a tiny bit in upper end? In the recording world, you can buy a one box Focusrite mic preamp emulator that seeks to recreate the classics from the past (I'm sure it lacks in pure sound quality from the originals). Would something like this work for audiophiles?
aberyclark
I sympathize with Rgs92. Realizing equalization that does more good than harm is difficult using the products currently available. The market simply has no interest in the subject. It would be fairly easy to design a module which would measure the in-room response at the listening position and then correct it. The problem is simply that the market for such features is too small to spread the R+D costs sufficiently. Some HT receivers do a fair job (HK) of gain matching using a mike in the remote control. A little more development could include low frequency equalization as well. Mid and upper bands are very tricky as masking effects, etc. come into play.
"So really, it's the same as using an EQ"

No it isn't. EQ involves additional stages, capacitors in signal path etc. (some form of signal processing) Let just say that it doesn't add to clarity.

Deficiency of recording is usually much more complex than simple tone controls that would perhaps do more harm than good. Imagine that you listen to Jazz trio and acoustic bass was recorded a little too strong. How can you correct it without affecting sound of the piano's lower registers?
That was just a trio - imagine complexity of an orchestra.

If the problem is room acoustics then fix it. If recording is made poorly don't buy it. If system lacks something - find better match/synergy.

I also suspect that the need to correct is somehow related to lack of system's transparency/clarity. With inexpensive receiver and speakers, I had once, I often used tone controls to get better clarity (unmask). With transparent amplifier and speakers now I don't need it anymore - everything sounds about right. Market confirms my findings - all cheap amplifiers have tone control (often EQ) all or most of expensive don't.

If the music has particular sound then I assume it was intended to sound that way. When I am at the concert I don't climb the stage to adjust their amps or PA system.
I run two CD players through my main system. One of the Players runs through a Equalizer first.

I put all high quality recordings through deck one and the lesser recordings through the second deck.

Best of all worlds.
Oddly, even white noise can improve intelligibility. One reason so little progress is made is that people have a tendency to accept logic rather than to experiment.

"EQ involves additional stages, capacitors in signal path etc. (some form of signal processing) Let just say that it doesn't add to clarity."

If one is in the digital domain this simply is not true. The digital amplifier simply runs a program and provides gain. Whether the output reflects the input accurately or is modified has no bearing on the quality of the output. A modification can improve or diminish clarity depending on a myriad of factors. I have been experimenting with equalization for years. Trial and error trump theory for most of us at this point, but some bright guy or gal will develop the correct algorithm.
NOOOOOOOO! Buy at least a Behringer 24/96 with it's calibrated mike, get the REAL frequency response at your listening position, and only after that can you use an equalizer accurately! Don't guess!!!