@steakster , Thanks , I’ll be picking some up tomorrow when I go for air filters. You’re the 3rd person to recommend these. FWIT I just ordered approx 1000 sqft of glue down oak hardwood flooring. This part of the room is 18’x18’, I’m on the fence about wood Vs new carpeting. If I do go new carpet it’s going to be shorter and greater density, maybe wool Berber type. Thanks again , Mike
Footers under new speakers
Hi , I’m seeking advice regarding footers and/or platforms under my speakers. I purchased Tekton Double Impact’s and have heavy shag carpet and padding over a cement slab floor. House is 35 years old, cement is thick and well cured. I’m from that old mindset of spikes into cement and I am looking for an improvement. I’ve looked online at Gaia footers and Herbie's Studded Giant Gliders. I emailed Herbie’s and specifically inquired about the studded gliders alone on the DI’s over carpet. I asked about stability and was told the speakers were “ heavy enough “. Unfortunately I just set up the DI’s temporarily to get a little break in time. They are without any footers upright on my carpet. At 115 lbs the speaker does about zero to compress the carpet. I understand weight Vs footprint is abysmal but they won’t even stand straight. I’ll probably put the spikes on for a bit until I formulate a plan. But my first concern is that Herbie’s gliders alone are not enough and due to the minimum cost of the speakers I am struggling with purchasing Gaia’s footers and footer spikes. The seismic stands look exceptional, but I’m trying to be frugal. So I’m looking for suggestions like, gliders or dots with or without spikes on wood / stone plinths spiked to the floor. My goal is to try some sort decoupling (Gliders / Springs / Dots) AND eliminate the need of having to rely on the carpet being compressed. And yes I have cheap speakers and seek a cheap solution, so I get that limitation. Unfortunately I can’t afford Tannoy’s or Fynes to compliment my 180 watt tube mono blocs for at least a year. Cheers , Mike B.
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@buellrider97 It is great that the impact of the change was recognised immediately for the positive Influence and the negative influences. The challenge now is to relax down and really get to grips with what is in place and what it is able to produce as an End Sound. Later down the line the following in the list from Item 5 an ascending comes into play to eke out the extras. The Room might need a bit of thought about managing the energies in transit, Produced Sound should only reach ones ears once only, ot should certainly not be heard as a reflected sound within a listening space. _____________________________________________________________ What have I learnt over the years: 1, A selection of Cabinets tried out are not able to be tamed, the Cabinet Influence is always to be present even though reduced in its effect, when mounted on a particular configuration for a Sub Support. 2, A selection of Cabinets tried out are tamed, the Cabinet Influence is not present when mounted on a particular configuration for a Sub Support. In a selection of used Speakers a Weight Placed on the Top of the Cabinet and positioned in different resting points can be the added treatment to tame the Cabinet in use. 3, A Speaker can really deliver in a way that is extremely competitive to the used ESL when the Support Plinth Configuration, added treatment and Speaker Positioning is given a variety of set ups. Certain Set Ups have enabled the Speaker to excel beyond its offerings when used as a Basic / Typical Set Up. 4, A Cabinet Speaker when either on a Stand or Floor Standing is able to present much improved as a result of introducing a Sub Support produced as a certain configuration. 5, The most difficult part is the positioning of the Speaker within the listening Space. This has to be worked with and records taken of the positioning being used. Using a Decorators 3" Masking Tape as a demarcation on the Floor is ideal, it can also be Pencil / Pen demarcated produce easy to use incremental changes for an orientation. Taking dimensions to local structures from the Cabinet, i.e adjacent Walls, Dimension from Listening Chair to plane of speakers. These combinations of dimensions are the records to be kept. as when the real hot spot is being discovered, small increments can really hone in on the End Sounds Impression able to be made, i.e an instrument or vocal can easily be missing if the final tweaks are not meticulous. 6, Symmetry of the Toe In is very important, accuracy of a dimension that is not to low mm's, can diminish or accentuate a certain sound, i.e, a Vocal Harmony can have a Tonal Parity or one Voice has the most noticeable presence, backing vocal can be very very far back vocals. 7, The Cabinet Side Wall being Vertically Plumb is critical and checked periodically to tweak to correction as this can slip? i.e, possibly movement occurs as the load settles. 8, The Front Baffle is rarely vertical Plumb in a Speaker I set Up, depending on the Speaker Cabinet Dimension, I have had cabinets set 70mm leaning forward. In general the Cabinets are leaning between 10mm - 40mm and that can be the front baffle leaning towards the listener or away from the listener. Raising the height of a Speaker and then working with it, has never proved a negative for myself. As stated in earlier posts, I use a Five Tier Sub Support, which elevated the Speaker. _______________________________________________________________ |
@buellrider97 Thanks for the update. Glad it worked out for you. I'm not sure if I sent you this but you might check out my thread from 2020 on springs under turntables etc. |
@noromance , Hi , thanks for the info. In purchasing the Townsends I pretty much went from zero to one hundred overlooking a lot of good stuff, point taken. I have a modded Thorens TD-180 with a Grado cartridge. Your TT is fabulous and you are light years ahead of me and I appreciate the direction. When my kitchen remodel is done and the dust settles I’ll begin the new setup. So I’m looking at a rack/shelf, something like Timber Nation. I’m cost driven , so I might build something and go from there. I have my TT , DAC, Streamer, CD transport, all the usual stuff. My new pre and power amps are about 55bs X 3 pieces , so I’m looking at decoupling 7-8 items. I’ll definitely try what you recommended and I started to read your previous thread. To be cost effective and experiment I will probably try multiple combinations of affordable stuff like repurposed cutting boards and marble or quartz. The springs you mentioned , some pods , maybe absorbing materials like mats. For a few hundred dollars and a few hand tools I should be able to come up with some methods that yield improvement and have fun doing so. Thanks for your guidance, Mike B. |
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