SACD vs. Vinyl


I've not jumped on the SACD bandwagon. I listen mainly to vinyl via a Marantz TT15 Benz Wood SH MC combo. I've a Sony XA7ES cd player that has served me well over the years, but even it doesn't get enough play to justify moving up to a SACD player.

Since I've yet to convert to SACD over the past decade what have I missed? I should add that I've 8 or so SACD discs that I've played via my Sony BR player that didn't sound much different than standard digital, but granted that playback was observed through my HT only system.

Can someone whose a huge vinyl fan establish a case for SACD as well? I just can't imagine anything getting close to the dynamics one hears on vinyl, for sonically vinyl seems to blow digital playback out of the water.
coltrane1
Mikelavigne - I did not say that SACD is flawed. I think that it is vastly superior to redbook (as Beta was to VHS). In addition to better quality (20/96) DSD used in SACD is created without antialias filters that screw-up transient response in traditional A/D conversion. Transients are used by brain for spatial localization.

You mentioned easy format switching but it was from analog to digital and not digital to digital?

SACD is not good candidate for the server not only because of copy protection but because of its scheme (PWM).

As it is right now - SACD selection is very limited, I cannot use it on the server, cannot make backup, is still too expensive and format might become obsolete.

Stereophile mentioned that format might be dead since many Blu-Ray don't even have SACD decoder.
I know that you can still buy SACDs but the same is true for DVD-audio. Would you buy DVD-Audio now?
Kijanki,

sorry if i misinterpreted your post. i agree that DSD has it's challenges in terms of flexible EQ'ing. this mastering guy typically will use an analog EQ for his DSD files since a PCM EQ will do so much harm to the signal.

this mastering studio is able to easily switch from any PCM format, to any DSD format, or to analog; all applied to any source. he gets master tapes, or digital masters, and then does his magic to create the commercial end product. he has analog EQ and all sorts of digital EQ as well as reel to reel and even Lp. he also does recording on site and movie soundtrack mastering and mixing.

i can tell you that there are things in the works to be able to listen to DSD and 2X DSD files from a home music server. the big problem now is the bandwidth to transfer files for the current home DAC's and music servers....but that is getting solved.

file storage is getting to be less and less an issue.

if i had to predict the future of hirez music it would be away from PCM toward DSD as it is so much less harmful to the source.
Mikelavigne - I wish I could see operation of recording studio. I will look - they might have tours.
Kijanki,

the studio is run by Crna39, an Audiogon member. it's called Puget Sound Studios.

here is a Stereophile blog entry which talks about Crna39's work.
"Can someone whose a huge vinyl fan establish a case for SACD as well" Yup,WITHOUT A shadow of a doubt.!!!!Once your set-up is up to the mark,the Quality of the recordings become more important than the format..I fully agree with Mikelavigne about the superiority of DSD recordings.This has been my experience too...

"I've 8 or so SACD discs that I've played via my Sony BR player that didn't sound much different than standard digital, but granted that playback was observed through my HT only " yup,you are right there.Bring those SACDs{I hope they are one of those 'proper'SACDs ,not a mimicker]to a properly set-up SACD rigs and hear the difference!!!