We've been asked "why TOSLINK optical instead of AES/EBU balanced?"
I think some people are confused as to what AES is and the difference between a balanced and a single-ended digital input.
AES stands for "Audio Engineering Society" and they have a standard for data transmission of digital music through a twisted pair of wires.
In other words: single-ended with RCA or BNC connectors.
AES also has a pro audio standard for the same music data transmission with differential + and - through balanced cables and XLR connectors. The signal is identical...the only difference is the shielding around the cable and the connector.
Since digital has an extremely high tolerance to noise, in a home audio system there are really no sonic benefits to the additional shielding and dual differential common-mode noise rejection balanced provides.
Sure...you can run a differential + and - with the same data transmission. But most companies, including Mojo Audio, use the same single-ended input receiver circuit for balanced and single-ended...the only actual difference is the connector.
We all use the + and ground from the XLR connector vs +, -, and ground required for true balanced.
Theoretically balanced is better, but of the customers and reviewers who compared the balanced and single-ended inputs on our DACs, none of them reported hearing any difference.
Going 1 meter in a home audio system is not the same as going long distances in a recording studio or on a stage for a live performance. And even then, there is a huge difference between the effect common mode noise has on a digital vs an analog signal.
That's the technology...here's the marketing.
We wanted to appeal to the greatest number of our customers.
Over 80% of our customers only use USB and only have one digital source.
Of the remaining 20% most of them want to use their audio system as part of their AV home entertainment system.
Less than 5% of our customers own a CD transport.
Historically TVs had coaxial outputs but modern HDTVs only have ARC and TOSLINK optical.
So we felt that we would appeal to a larger percentage of our customers if we switched from AES balanced to TOSLINK optical.
The last factor was our new active dual-stage buffered input: a notable upgrade but not compatible with balanced AES.
We felt that the sonic improvement of our new active dual-stage buffered coaxial and optical inputs was more important than the convenience and psychological benefits of having an AES balanced input.
Besides: the less than 1% of our customer who only have a balanced digital source could always use our coaxial input with an adapter or an XLR to RCA conversion cable. Since internally we were only using the + and ground wires of the XLR sonically it would be identical.
I hope this answers your question.