Denon 5900/ModWright, Metrum Octave.
I auditioned six other under $600-$2000 DAC's before settling on the Octave. Without getting into the brands the other six DAC's were of generally traditional design with a non tube output stage.
To varying degrees some offered improvements in detail and transparency over the Denon player as well as using the players optical output via Van Dan Hul Optocoupler MK II > DAC, bypassing the the ModWright tube output stage.
In all cases I enjoyed listening to the player regardless of the varying loss of detail and transparency.
Right out of the box the Metrum Acoustics Octave Non Over Sampling DAC with its chip based output stage delivered all the detail and transparency of the best of the six also rans but with a rich lushness and shimmer that is as easy to listen to as my analog.
I need to be clear here. It's not the same as analog but it's the first time in my limited experience were digital became as easy to listen to as an LP. And this from Pure Music 96kHz output through a wireless connection to a Squeezebox Touch.
Once again I'm convinced that as with using a tube preamplifier as a tone control for some class D amplifiers the use of a tube output stage on my player is simply a band aid or filter for the poor execution of its digital conversion.
"The application of technology is what is important. It can produce brilliant or poor results depending on its implementation."
Jeff Rowland, The Absolute Sound May/june 2012 Issue 223 pg 71.
I auditioned six other under $600-$2000 DAC's before settling on the Octave. Without getting into the brands the other six DAC's were of generally traditional design with a non tube output stage.
To varying degrees some offered improvements in detail and transparency over the Denon player as well as using the players optical output via Van Dan Hul Optocoupler MK II > DAC, bypassing the the ModWright tube output stage.
In all cases I enjoyed listening to the player regardless of the varying loss of detail and transparency.
Right out of the box the Metrum Acoustics Octave Non Over Sampling DAC with its chip based output stage delivered all the detail and transparency of the best of the six also rans but with a rich lushness and shimmer that is as easy to listen to as my analog.
I need to be clear here. It's not the same as analog but it's the first time in my limited experience were digital became as easy to listen to as an LP. And this from Pure Music 96kHz output through a wireless connection to a Squeezebox Touch.
Once again I'm convinced that as with using a tube preamplifier as a tone control for some class D amplifiers the use of a tube output stage on my player is simply a band aid or filter for the poor execution of its digital conversion.
"The application of technology is what is important. It can produce brilliant or poor results depending on its implementation."
Jeff Rowland, The Absolute Sound May/june 2012 Issue 223 pg 71.