Aktchi,
Comparisons were of some speakers past. I admit that the HT3s were nearly the most expensive speakers I've heard. The others: Audes Blues; Tannoy Eyris DC-3; Vandersteen 2ce; Von Schweikert VR-2; Zu Druid; Vienna Acoustic Beethoven Baby Grand; Polk LSi25; Martin Logan (?). And IMO the HT3s were not just better, but better by far. Then there are mine: EgglestonWorks Fontaine, but truthfully speaking I am holding judgement on these until I get my system back up and operating. It has been out of commission for a few weeks. I am looking forward to comparing the HT3s to my Egglestons soon. So I guess I jumped the gun a little comparing the HT3s to my Eggys. Keep in mind that the HT3s use perhaps the best drivers available, with an amazing ribbon tweeter, and a cabinet whose size and construction contribute to the enhancement of the sound. Of the other speakers I mentioned (except for my Eggys) , I never felt their cabinets played any significant role in adding to the quality of sound. And IMO the cabinet is just as critical as the drivers. Dynamics is one thing, and many of the above speakers have it. But only the HT3s, and I suspect my Eggys, have properly sized and contructed cabinets to add qualities such as tone, timbre, and clarity, making them musical.