He can throw all the numbers and "logic" at me that he wants, but it doesn't
explain why my shoulders hunch and my brow furrows when digitally sourced
music is playing, and I relax and have a positive emotional response to analog.
24-bit adds nothing? Then why does 24/96 sound like a breath of fresh air after
listening to some 16/44.1 demos? And I'm talking about John Atkinson
personally demo-ing his recordings from his laptop, and the same thing from
Peter McGrath's laptop for demo-ing Wilson Sashas and Maxxes?
explain why my shoulders hunch and my brow furrows when digitally sourced
music is playing, and I relax and have a positive emotional response to analog.
24-bit adds nothing? Then why does 24/96 sound like a breath of fresh air after
listening to some 16/44.1 demos? And I'm talking about John Atkinson
personally demo-ing his recordings from his laptop, and the same thing from
Peter McGrath's laptop for demo-ing Wilson Sashas and Maxxes?