Does HiRez really sound better?


I came across this article from Goldmund Audio which I"m sure will raise some hackles. Don't think me a troll but I'd like to read some feedback on the supposed benefits of HiRez. Some of this has already been gone through but the blind listening test mentioned concluded that the ability to hear a difference between PCM and DSD was no better than the flipping of a coin.
http://attachments.goldmund.com.s3.amazonaws.com/2015/01/23/15/49/42/359/goldmund_does_high_resolution_audio_sound_better_white_paper.pdf.

All the best,
Nonoise
128x128nonoise
As a recording engineer I would strongly disagree that r to r tape is less resolving than hi rez digital. They both, when done right, can sound fantastic and in many cases r to r can sound even better.

Did you know that Walter Becker ' s Circus Money was recorded on r to r using dolby sr noise deduction. Yes it is a bit overly compressed but as for pop it wipes the floor of most all pop recorded today....hi rez digital or not.

You really need to listen to well recorded analog to appreciate what that medium can do.

Also, what about direct to disk? If that ain't hi rez....well......
To summarise, here's the question.
In descending order of resolution, please list the following recording techniques :-

1. Reel-to-reel analog master tape
2. PCM at hi-res, either DXD or DSD
3. Direct to disc(vinyl)

The thing is no-one knows the definitive answer. So, this debate can rage on till the cows come home. Homo sapiens are good at this sort of thing.
J. :)
Chrs - based on my experience about $20K is the starting point for a lifelike system resolving enough to tell the difference. Receivers are not in the system. A few integrated amps will work. Bass will not be as tight or loud as in more expensive systems. Treble will not be as extended or clear either.

Steve N.
Empirical Audio
Raymonda - R-R can indeed be very good, but ultimately lacks the dynamic range possible with digital. There is also the artifacts caused by the Dolby noise reduction, which are audible. These filters are anything but perfect.

Direct to disk is also compelling. The problem is that so many recording studios are using sub-standard DSP codes for mixing. This software makes all the difference.

The best recordings I have heard to date were recorded on analog tape, mixed in an analog console and then A/D to hi-res digital. These came from Bluecoastrecords.com. They do a minimum amount of EQ because they tune the room acoustically. Also very little or no compression. This is a model for good recordings.

Steve N.
Empirical Audio
If 20,000 is the number then for the average consumer high rez is dead in the water and will remain a cottage industry.