$800 Cartridge Shootout and Upgrade Path

Artar,

I understand yr monetary concerns. I'm starting to lean towards a Teres 255 to save a few dollars elsewhere. Since the main difference in the tables is in the wood and you need a phono pre I totally understand your decision. It's hard to decide where to spend the dollars. Since I don't own a car or jewelry or have a wife or kids I'm pretty much in this mess with only myself to answer to. I'm trying to stick to my desire to get the Schroeder DPS tonearm though it costs a ton. I agree with your assessment to stick with a good arm, it can make all the difference. I would think that's more noticable than whether the base of your table is baltic wood or cocobolo but I wouldn't be surprised if I were wrong there. Perhaps someone with experience in this area could weigh in on this matter.

As for tweaks, well they constantly have allowed me to make upgrades at little cost. B-stock Black Diamond cones can be had on Audiogon for $48 for a set of three and seem a cheap way to experiment. For me used cabling and vibration control have been how I have made incremental progress during periods of little extra income.

Thanks for the Jolida recommendation, I've heard their stuff and think it's nice but my friend is scared of tubes. He seems to regard my amp with suspicion and when I changed the tube in my pre he thought that seemed complicated though I told him that its as easy as changing a lightbulb. I'm not trying to sell him a specific paradigm though, I just want him to get into something decent that he's comfortable with. There's time enough later for upgrades or changes. I demo'ed the Plinius 8200 MkII integrated and while I thought that it was a fine unit, it was much too polite with hard rock music. It was mighty fine if you were listening to something like Elvis Costello or Peter Gabriel but with noisier music with more rhythmic drive it just didn't cut it. It didn't rock me and this left me cold. My friend listens to all rock so he needs something that can boogie. He's looking into Odyssey products since they make affordable gear and it's well regarded on audioasylum and many of the users seem to listen to a lot of his kind of music.

I'm still set on investigating my original purchases but waver from "sticker shock" to "the hell with it, let the dollars fall where they may, I want the best sound!". I still waver between the Schroeder and the Triplaner as the arm of choice but think I'm gonna stick with the former.

I would be interested in hearing more about the phono stages you mentioned above if anyone here as any experience with those. I've heard the Aesthetix Rhea and it is a great unit, really stellar sounding, but at $4000 it's nearly as much as your turntable budget. Where do you want to go today?

Dsiggia,

I am not surprised to learn of your Supratek Cortese purchase; it will be a natural addition to your system, which is quite nice indeed. But you have a very good preamp already with the Sonic Frontiers Line 3SE. I wouldn’t expect a huge gain in sonic performance going from your current unit to the Cortese, but you will have a lot of fun doing the tube rolling I’m sure. When do you expect your Cortese to arrive? If I were to do it all over again, I would opt for the Cortese myself. Yet, I have absolutely no complaints about my Klyne. Do let me know when it arrives. What will you do with the Sonic Frontiers unit? If you can afford it, I would keep it.

Thanks for the offer on the Tom Evans unit, but I think I will either go with the Wright Sound or the K&K phono stage. I need more information on both units before I make my final decision.

No, I don’t think you’re out of line with your suggestions regarding the OL Silver. If I go with an OL arm, it will most likely be the Encounter.

By the way, I think it’s interesting that Michael Fremer had very favorable comments about the OL Encounter in a recent Stereophile review, but that tonearm was not listed in Stereophile’s Recommended List.

Chris,

As each day passes, my price sensitivity seems to be increasing, notwithstanding the recent political events affecting the White House. I told my wife the other day that Social Security for her and myself will now be either greatly reduced or non-existent. So I told her that we will need to accumulate an additional $300,000 in cash outside our aggressive retirement account savings to accommodate the spiraling health insurance costs, as well as other standard living expenses that would have been covered by SS.

In a totally unrelated event, I purchased, quite by impulse, a new Shure V15VxMR phono cartridge for $212 from Beach Audio. Normally the cartridge sells for $325, but Shure is discontinuing the unit so it’s getting dumped. Some places, however, are charging more than the going “street” price in the mistaken belief that some people will pay it.

The Shure is a very good cartridge, and is not a piece of junk per se, nor is it a world beater. Is it better than the Shelter 501? I doubt it. I have read no review to indicate otherwise. The Shure gets me in the game with little-to-no money, and will make a decent backup cartridge once the Shelter arrives sometime in the future. Its purchases like these that will enable me to put an analog system together sooner than I expected, maybe by June.

If you go with the Teres 255, I am sure you won’t be disappointed. On the other hand you may continue to long for the Galibier; it’s a tough decision I know. It all comes down to how important analog audio is to you and how much you are willing to pay for it. If you were to buy the Galibier, you would never have to upgrade again. I mean, what would you upgrade to, a La Luce? And if I were buying the Galibier, I would go for their top-of-the line unit on aesthetic grounds; otherwise, it would be the Teres 255.

And I understand your desire to get the Schroeder DPS; it’s a beautiful arm, but how much does it cost? I bet it’s a fortune, right?

I’m going to have to agree with you about the materials used for the base of the Teres. While I’m sure Doug, Twl, and others will be able to hear the differences that the various hardwoods impart to the music, I doubt whether I can. And if there were differences I could hear, I bet they would be very subtle indeed, so subtle in fact that it would be hard for me to justify the added expenditure. I feel that the more exotic woods are more attractive to be sure, but whether they are sonically superior to such an extent so that someone like myself could hear and appreciate the difference is another matter altogether.

Artar,

I expect the Cortese to arrive at the end of next week. Not that the SF is a slouch, but I'm expecting a sustantial increase in performance over the SF. If it doesn't work out I'll keep the SF, we'll see.

As far as the SF & Tom Evans, I'm sorry if you got the impression I was trying to sell them to you, just mapping out my plan.

Dsiggia,

Oops, my mistake about the Tom Evans. That's what I get for drinking wine while trying to type a e-post: I get everything all screwed up. While in that condition, why even my Bose Wave Radio sounds good! : > )