Hi Jim,
I've owned a Maplenoll Ariadne Signature for about 10 years. I did some minor upgrades, mostly asthetic or correcting Bob Dilger's shoddy workmanship, not design parameters. I'm very happy with it although I haven't had alot of opportunity for comparison to other serious rigs. It's maounted with a Cardas Heart into a VAC CPA 1 mk2, into a tweeked Cary 300SEI LX20, into tweeked Gallo References, using all Mapleshade wire. It easily leaves the digital behind, of course.
One tweek that was very worthwhile sonically was to replace the wire with single runs of the thinnest Acrotec wire available from Michael Percy, directly from the cartridge into male RCAs, into the preamp located under the table. It was much more transparent. The output of an MC cartridge needs VERY little current capablity from the wire, so one run per leg is PLENTY. It saves on interconnects and all the requisite jacks and solder joints and is similar in design to the Mapleshade Omega Micro interconnects I use.
I've owned a Maplenoll Ariadne Signature for about 10 years. I did some minor upgrades, mostly asthetic or correcting Bob Dilger's shoddy workmanship, not design parameters. I'm very happy with it although I haven't had alot of opportunity for comparison to other serious rigs. It's maounted with a Cardas Heart into a VAC CPA 1 mk2, into a tweeked Cary 300SEI LX20, into tweeked Gallo References, using all Mapleshade wire. It easily leaves the digital behind, of course.
One tweek that was very worthwhile sonically was to replace the wire with single runs of the thinnest Acrotec wire available from Michael Percy, directly from the cartridge into male RCAs, into the preamp located under the table. It was much more transparent. The output of an MC cartridge needs VERY little current capablity from the wire, so one run per leg is PLENTY. It saves on interconnects and all the requisite jacks and solder joints and is similar in design to the Mapleshade Omega Micro interconnects I use.