Best Cartridge for VPI Aries orig + JMW 10.5 ?


I have a VPI Aries (original version) and JMW 10.5. They feed an EAR 834p phono stage, mccormack map-1 preamp, rotel 1095 amp, and vienna acoustics beethoven speakers (which are a bit "warm" sounding). I listen to mostly bluegrass, followed by classic rock and jazz. What is the best choice of cartridge at $1500 or less? (any views on the Sumiko Celebration in this set up?) Any thoughts welcomed as I am a bit new at this. (ps. will one day move to all tubes, but likely a few years off).
banjofan
Melm, go ahead and use the combo. I don't care. The person asked about it, I told him what I thought.

I do realize what this is all about though. I've read the other posts regarding this on the other forum(AA), and your panties are in a wad because you didn't like what I said about the JMW arm. Too bad. I stand by what I said, and it is correct, regardless of your rantings and ravings to the contrary. I know that you came over here from AA for the express purpose of picking a fight with me over this. Just because you are in love with VPI, doesn't mean that it works ideally with every cartridge known to man. I reviewed your posts over there, and the vast majority of them read exactly like a VPI salesman.

But, if you think it does work well with a 103, then by all means, you can use it. I notice that none of the other tonearm brand users get their noses out of joint when somebody mentions a cartridge that doesn't match them well. They all realize that nothing is perfect for everything. But JMW users seem to be overly sensitive about this, and often take the opinion that this(JMW) is some kind of perfect arm that defies all known laws of physics. It's not, and it doesn't. It has good and bad points just like any other arm.

BTW, the smaller outriggers are not needed to be large because the inertia increases by a square of the distance from the pivot. Conversely, even a relatively larger mass at a point close to the pivot will have less effect. This is well demonstrated by the fact that the outriggers were added for the stated purpose. I'm certain Harry is aware of the math, and that is the reason for the size of the outriggers.

Your personal attacks on me are getting tiresome. If you wanted to make your point about disagreeing with me on the matchup, you've made your point. You are entitled to it, as am I. If you want to start some kind of personal vendetta against me because I didn't bow down at the VPI JMW altar, then we have something else to deal with altogether.
TWL has once more exposed some of the pervasive idiocy that swirls around this hobby and I am grateful for his seemingly endless patience with you nincompoops.I can claim no such predilection for his level of tolerance.The physics stated are there for all to see.See you all at the next UFO meeting.
Dear Twl: This is not a fight. The issue here is only: low compliance cartridges with an unipivot tonearms:
I have some experience with unipivot tonearms ( I own five of these ) and I try with low compliance cartridges: Denon, Shelter, Koetsu, Victor,.. .... ( that I own too ) and I never have any problem with this combo-combination: " no rock and roll " ( like you say ). I think that the problem is in the design an execution of that design. The Graham is not an original design ( is a bad copy of the Audiocraft tonearm.), tha's why to much up-grades every " month " and the JMW is not, too, Mr. Weisfeld take some things from the Audiocraft and SAEC tonearms ( he speak about this in the early times of his tonearm ). So if anyone has problems with a cartridge in those tonearms is because the tonearms have problems and not because they are unipivot tonearms. Twl, the theory about it not always is true in the real world because there are many parameters out of control.
Till today, many of the best unipivot tonearms are of Japanese design ( the Morch is a very good copy of the Japanese Highphonic tonearm ). In the time where the Dl 103 or the Black Koetsu born the unipivot tonearm ( like the tubes ) has a very strong force between the Japanese audiophiles and that people live " happy " with those combos ( I have some japanese music-lover friends that still lives in Japan ) still today. So, the problem is not the unipivot way. Now, if you like or not the sound of a low compliance cartridge in an unipivot tonearm, this is another issue and has many " roads " to talk about it.
The other issue is compliance in front of tonearm mass, but this one in some other time.
Best regards and always enjoy the music, not your audio system.
Raul.