Dynavector DV-507 Mk II ?

Mordante, It is really hard to answer your question, because I use my DV505 on a Lenco with MM cartridges, and I use my Reed and Triplanar with MC cartridges on other tables. The Reed is very nice sounding on my Technics, I must say. As you note, the DV tonearm gives excellent bass and solidity and good "air" and delicacy as well, but I could not say that there is not some other tonearm which if mated to the same cartridge in the same system would not be even better. At some point, I accept "very good" as "good enough".

Lewn,

Thank you for answering. You are 100% correct and some point you have to accept things how they are. I suspect this will be my final turntable/arm combo.

The feeling that there really is no need anymore to keep looking for the upgrade is great.

Mordante, Speaking for myself, it's the speakers that finally gave me the feeling that I was essentially "finished" with my audio odyssey. Once I got "there" with speakers, then messing about with the upstream chain becomes merely fun and not something that is motivated by a sense that there is something missing. Lucky for me, I have two such systems. One is my Sound Lab 845PX with a very highly modified input stage (what SL acolytes refer to as the "backplates", where the crossover and audio step-up transformers are mounted). The other is a pair of Beveridge 2SWs that I bought and fussed with until they work very nicely.

I have had the 507mk2 along with Graham Phantoms, Reed, Centroid, Davinci Grandezza, TW caustics 10.5 and others. It is one of my favorite. The arm dissipate cartridge resonance extremely well and it is very dynamic in the bass (probably low vertical moving mass). The larger variation in VTA did not seem to rear its ugly head as long as records are fairly flat or record ring is used. Easy to adjust antiskate and VTA another draw for me. THe black version has a much better finish as I also owned a silver one at some point.

Glai, That's an impressive list. Where do you rank the Grandezza in the group?