Hi Raul, I'm late arriving at this party and have not read through all seven pages of discussion. Therefore, forgive me if I repeat something already covered, but I'll throw out a couple of thoughts into the mix.
First, I've been told that the mid-point of the acoustical energy of a symphony orchestra (obviously on average) occurs around 220 to 280 Hz (depends on who you ask). Think of the implication for a two-way speaker system with a crossover between 1500 and 2K Hz. That poor mid/woofer is being ask to produce nearly all of the energy. Even a three-way system with a 300 to 500 crossover, that woofer has a load. Notice I'm talking about acoustic energy here, not frequency response, so think about the requirements on the woofer and amp driving it in those terms.
Related to this is the situation where the lower the frequency, the more energy needed to drive it to a given reference level. For me it becomes easier to understand why a separate, powered subwoofer(s) covering the first or first and second octaves can be so beneficial.
Which brings me to my second thought. Many years ago I visited a very well respected dealer for a subwoofer demo. I no longer remember the sub model but the prime speakers were Spendor BC-1s. Rather than the expected organ works, bass driven rock, or synthesizer demo, the owner played a solo cello recording. As he switched the subwoofer in and out, the difference was heard immediately. It was not the low bass extension but the improved clarity, depth, and spaciousness that was apparent with the subwoofers switched in. Even if it would not seem like a cello would tax a woofer and amp, removing the lowest bass (wish I remembered the crossover point) responsibility from the regular woofer and amp cleaned up the sound far more than I would have ever expected.
Food for thought.
First, I've been told that the mid-point of the acoustical energy of a symphony orchestra (obviously on average) occurs around 220 to 280 Hz (depends on who you ask). Think of the implication for a two-way speaker system with a crossover between 1500 and 2K Hz. That poor mid/woofer is being ask to produce nearly all of the energy. Even a three-way system with a 300 to 500 crossover, that woofer has a load. Notice I'm talking about acoustic energy here, not frequency response, so think about the requirements on the woofer and amp driving it in those terms.
Related to this is the situation where the lower the frequency, the more energy needed to drive it to a given reference level. For me it becomes easier to understand why a separate, powered subwoofer(s) covering the first or first and second octaves can be so beneficial.
Which brings me to my second thought. Many years ago I visited a very well respected dealer for a subwoofer demo. I no longer remember the sub model but the prime speakers were Spendor BC-1s. Rather than the expected organ works, bass driven rock, or synthesizer demo, the owner played a solo cello recording. As he switched the subwoofer in and out, the difference was heard immediately. It was not the low bass extension but the improved clarity, depth, and spaciousness that was apparent with the subwoofers switched in. Even if it would not seem like a cello would tax a woofer and amp, removing the lowest bass (wish I remembered the crossover point) responsibility from the regular woofer and amp cleaned up the sound far more than I would have ever expected.
Food for thought.