Lamm LP2 and WE417A tubes


I recently purchased one of these and it really is a world class phono stage. Over the years I've had both Pass ONO units, the CJ pr15, an earlier version Aesthetix IO, and lots of lesser units. It is by far the best sounding with the possible exception of the IO.

I was suprised to find Raytheon 5842's in after reading the claim on their website:

Its unique circuitry utilizes specially selected very low noise high trans-conductance Western Electric 417A / 5842 vacuum tubes.

When I asked them about this they said that the dash between 417A and 5842 means "or." They told me that the WE tubes are too expensive and hard to get so they use the Raytheon. In my opinion this is being deceptive since WE also stamped their tubes with 5842 and Lamm invokes the WE name with no intention of ever using the tubes.

So now I sit here and wonder if I'm missing something by not getting some real WE 417A's to try, but I don't want to spend that kind of money if it doesn't change things for the better.

Has anyone tried real Western Electric tubes in it?
herman
The correct article location is:

http://www.goodsoundclub.com/Forums/ShowPost.aspx?PostID=708
I read the article and could not disagree more. Despite the misleading statements about the WE tubes, this unit never fails to bring out the best in my system. I think it sounds wonderful.
That is fine that you disagree. Audio does need some stratification in order the different phonocorrectors “bring best” in the different systems, for different people and even in different music. Certainly it could not be an argument if YOU THINK that the LP2 “sounds wonderful” or not. The issue was if the LP is an adequate quality phonocorrector, abstractedly speaking, without any reference of the specific limitation of yours or anyone else’s playback. Unfortunately the LP2 on the scale of 10 being the best would be somewhere at 5 points in MM and somewhere around 3 points in MC mode. Happy you or not …it would be juts the stage of your satisfaction but not the objective performing characteristic of a given audio device..
There was nothing to support his position that it was not accurate other than his perceptions. I think it is very accurate. Who is correct?

He did not like the sound of it and went into great detail to make his point, but at the end of the day it was just an opinion. Why should I give any more weight to the guy you referenced than Olsher? I don't. Olsher loved it and so do I. The guy you referenced didn't. So what?

I think I'll stick with my opinion and continue to enjoy what I consider to be a very nice phono stage.
Hmmmm...I notice an uncanny similarity to the writing style of RBES and that of the so called author of the article he points to...similar misspellings, similar grammatical errors, same use of ALL CAPS here and there.

sounds like you should have said..."hey...this product sucks...let me point you to another website where I say it sucks also...just in more detail and in a more abusive manner."

welcome to Audiogon.