Dynavector XV-1s set up



Hi,

I've just got a new XV-1s and am trying to set it up using a Plinius M14, which I am using temporarily. The Plinius offers Cartridge Loads of 22, 47, 100, 470, 1k and 47k. The XV-1s' literature is very limited but gives a recommended load of "more than 30 ohms". Can anyone advise me on what setting will work best on the Plinius?

Also, how long will the XV-1s take to run-in? And, finally, any other set up tips and advice will be warmly welcomed.

Many thanks
dgob
Dear Dgob: +++++ " I am as close to reality/live performances as I have ever been with any analogue set up. " +++++

That is all about and what it matters, stay in that way.

regards and enjoy the music.
Raul.
Thanks Raul, just to note that I have recently swapped the Altai headshell for a Nagaoka magnesium headshell and my Mat1 platter for an Autio Technica AT 666 pneumatic mat. The improvement is startling and informative. Leaving me compelled to leave an even higher recommendation!!

Now I just need to try out the XV1s and Nagaoka on an Audiocraft arm to settle on my final(?) reference set up. Thanks again
All,

This whole question about why people are tracking this cartridge at 2.5 g. has been puzzling me for quite some time.

I have one possible explanation.

Raul and I have been harping for quite some time about how many phono stages with high aspirations suffer from being too slow - having a slew rate which cannot keep up with fast transients. This is a fascinating phenomenon, as the resulting sound can fool you into thinking that you are mistracking the inner groove. It can have you puzzling over your setup geometry, azimuth, anti-skate ... as well as tracking force.

Think back to Doug's comments on tracking just above the threshold of mistracking for best dynamics (also applies to having a delicate hand with anti-skate setting).

Let's put the two concepts together ...

The XV-1s has extraordinary dynamics. I can see where some (perhaps not all), are loading down their cartridges with some .6 grams extra force in order to constrain dynamics which overchallenge their phono stages. I have not heard every phono stage out there, and certainly can't comment without inspecting the setup of these rigs. I'd certainly love to see one of these systems and plug in a known "fast" phono stage (after optimizing setup) to hear what results.

I'm sure there are other reasons for many of you tracking at such a high force - including your turntable's architecture, stand, and the floor everything is sitting on, but in piecing all of this together in the context of an unrelated discussion with a customer, I felt compelled to relate these thoughts for your consideration.

I don't get to check in here much these days, but will try to follow this thread as best as I can.

Cheers,
Thom @ Galibier
Quick follow-up ... I didn't mean to imply that the phono stage is the only reason for people choosing a high tracking force.

In re-reading this thread, I notice that Raul is tracking at 2.4. His Essential is one of the few phono sections which is fast enought to keep up with anything thrown at it, so there's a lot more going on here.

It's definitely worth thinking about.

Cheers,
Thom
I just replaced my old XV1 with a brand new XV1s (still not broken in only 2-3 hrs play as we speak). I found them sound best tracking at 2.0-2.05g with minimal antiskate.