It is interesting and significant that this study involves players and not just listeners. I had always read "well, the players can tell the difference and prefer the work of the old Italian masters."
What needs to be stressed is that these instruments are the cream of the crop. They all sound great. The makers and examples, old and new, are carefully chosen for their ability to compete (unless I missed something). There are no clunkers here.
What needs to be stressed is that these instruments are the cream of the crop. They all sound great. The makers and examples, old and new, are carefully chosen for their ability to compete (unless I missed something). There are no clunkers here.