"05-19-14: Rodman99999
Like any other listening test. Totally subjective!"
Not true.
Like any other listening test. Totally subjective!"
Not true.
Interesting bilind testing of Stradivarius Violin
These stories are so tiresome. Every few years the same "test" is conducted; with the same or similar problems of methodology and biases that render the results nothing more than bullshit. First of all, it should be noted that there are, in fact, fine modern instruments, but any experienced player knows that the very special qualities that make some of these old (Strad) instruments special cannot be revealed in a minutes-long playing session; they also require very careful set-up. The link below is a rebuttal by a truly first-class player to a similar "test" done a couple of years before this latest one, and his comments expound on the above points. Let's look at the problems with this particular "test": Did anyone notice that Joseph Curtain the "researcher" is a modern instrument maker? Conflict of interest perhaps? The article mentions that the players who participated in the test were competitors in an international competition. Why is the competition not named? Who are these players? Do you know how many competitors in many of these competitions are nothing more than young, inexperienced, and often mediocre players? Who the hell is John Soloninka, the only player named; and quoted? I never heard of him, so I poked around. The only reference I could find is in a personal profile in which he is described as "an advanced amateur"....Uh huh. And guess what his other career is: luthier. Interesting, no? In a different article about the same "test", Joseph Curtain seeks to gain credibility by claiming to have made instruments for players such as YoYo Ma. Well, that may be true; players have many instruments for different occasions. But, guess what YoYo plays on when he gives recitals or solo performances?: his 1712 Davidoff. Perhaps the Curtain is saved for those outdoor gigs on days with possible rain showers. me-with-science/>http://www.insidethearts.com/nondivisi/they-blinded-me- with-science/ |
05-20-14: Frogman He's referring to the fact that SPLs in the middle of an orchestra can be quite loud. If ear protection is not used, hearing damage is quite possible. See the following article if interested: http://www.ciop.pl/44610 From the article: ... the A-weighted equivalent continuous sound pressure level LAeq measured over the duration of a single music piece, on the stage among musicians of a concert orchestra (wind instruments) is 83.0Â106.5 dB. Dick |