I just found this thread and the references to my comments on my audition of the Teres 360 and Galibier tables last year.
First, I've owned Koetsu cartridges for 20 years and have a fond affection for their lushness. When I heard the Teres dem, the overall tonal presentation was fine and I've enough experience to make allowances for the cartridge.
For me the difference between the 360 and the Galibier was that the Teres didn't have the same leading edge clarity and natural decay of the notes in the lower registers - it was kind of smeary.
The way I characterized it at the time was that it sounded like the bass player was playing behind the beat. This was particularly apparent on complex rock music. Ymmv.
If Chris has improved the line then I look forward to hearing for myself at RMAF in October.
First, I've owned Koetsu cartridges for 20 years and have a fond affection for their lushness. When I heard the Teres dem, the overall tonal presentation was fine and I've enough experience to make allowances for the cartridge.
For me the difference between the 360 and the Galibier was that the Teres didn't have the same leading edge clarity and natural decay of the notes in the lower registers - it was kind of smeary.
The way I characterized it at the time was that it sounded like the bass player was playing behind the beat. This was particularly apparent on complex rock music. Ymmv.
If Chris has improved the line then I look forward to hearing for myself at RMAF in October.