More news... the motor on my Garrard 301 is exposed in its skeletal plinth, and I thought this could be generating the problem. It has its own ground wire, unusually enough (I haven't seen this in other 301s), and I tried grounding it at the Io. No change.
Then I realized that I pick up the RF even when the TT isn't running, so it isn't the TT. It's the Io.
So next step is tube rolling in the Io, shielding the Io as suggested, rolling interconnects (currently balanced Kimber Select KS-1120 everywhere except from the two tonearms - Ikeda has its own single-ended pair, the Graham has singled-ended Golden Cross; noise is identical with either tonearm/cart).
In other news, I had my carpenter make me up a Graham/SME armboard so I could mount my 2.2 on the Garrard. It's currently running a Helikon Mono. Just roughed in alignment for now (though "roughing in" with a Graham is closer than most other arms) and making music.
Still just one phono stage with one set of inputs, so it's a task to switch between tonearms. But interesting. I might try mounting my as yet unused but intriguing Decca London Super Gold on the Graham, since it's said to like damped unipivots. (I have a Decca International Arm as well but would need to make a new mounting board once again.)
I still remain so impressed by the Denon 103R, which sits on my Ikeda. Maybe there's a synthesis between it, the Ikeda and the Orsonics headshell, but wow. For $250 (I just got an extra one) this cart blows away the Shelter. And it plays mono recordings more noisily than the Helikon Mono, but more musically. At nearly one-tenth the price.
sorry to ramble
currently on: Clara Haskil playing Schubert's posthumous sonata, mono, Dutch Philips Minigroove....... magical.
Patrick